A Meiji gate on the old walking approach

Hashikuraji Niomon (箸蔵寺仁王門, also written Hashikura-ji Niō-mon) is a two-storey wooden temple gate at Kuratani in Ikeda-cho, Miyoshi City, Tokushima Prefecture, built in 1880 and listed as a Registered Tangible Cultural Property on 28 October 2011. It stands partway up the south flank of Hoshuzan, the 633-metre peak that carries the temple, and faces south toward the Yoshino River.

The gate belongs to Hashikuraji, a temple of the Omuro branch of Shingon Buddhism whose principal image is Konpira Daigongen. Temple tradition places the founding in 828, when the monk Kukai is said to have climbed this ridge and received an oracle promising deliverance to "those who lift chopsticks", meaning everyone who eats. The word for chopsticks, hashi, gave the temple its name.

Two facts about the location shape any visit. This is the temple's original main gate, and it sits on the foot approach rather than at the modern arrival point. Passengers on the Hashikurasan Ropeway land beside the abbot's quarters, several hundred steps above, and cross above the gate instead of walking through it. Reaching it on the ground means turning off National Route 32 onto a narrow town road to a small parking space near the tall stone lantern known as the Takatoro, then climbing 48 stone steps.

Beyond the gate the climb continues past a stone torii and a red roofed bridge. Counts kept locally put the distance from the gate to the honden at 769 steps, a number often placed beside the 785 steps at Kotohira-gu in Kagawa, the shrine with which this temple was historically paired.

Zen-style carpentry, raised in 1880

The Agency for Cultural Affairs registered the gate under the criterion of contribution to the historic landscape of the country, and its file calls the building a fine example of a Zen-style two-storey gate from the modern era. The technical description behind that verdict rewards unpacking.

The structure is a sangen ikko nijumon: three bays wide, pierced by a single doorway in the central bay, and two storeys deep, each with a roof of its own. That last detail is what separates a nijumon from the commoner romon, in which the lower storey carries no roof and a balcony rail alone marks the division. The roofs are irimoya, hipped above and gabled at the ends, laid with sangawara pantiles. The registered footprint is 56 square metres.

Upper and lower storeys both use degumi tsumegumi bracketing. The brackets step out one unit from the wall plane, and they repeat in the spaces between the columns rather than sitting only on top of them. Crowded intercolumnar bracketing is among the surest markers of zenshuyo, the architectural manner carried over from Song China in the thirteenth century and named for the Zen temples that first used it. Rafters run futanoki shigedaruki, doubled and set close.

The upper storey measures three bays across the front and two in depth. A pair of framed and panelled sankarado doors opens at the centre of the facade; the bays to either side are pierced with katomado, the cusped windows whose ogee profile is a second Zen-style signature. Inside is one undivided room, with platforms built against the flank and rear walls.

A Shingon temple building in the Zen idiom is less contradictory than it sounds. By the nineteenth century zenshuyo had long ceased to belong to any single school and had settled into the general repertoire that carpenters drew on. The interest here lies in the date. This is a full, unhesitating version of the manner, put up in 1880, at a moment when Japanese building was being pulled hard in other directions.

What to look for, and one unsettled question

Guardian figures occupy the flanking bays of the lower storey. These are the Nio, or Kongo Rikishi, the muscular pair posted at Buddhist gates, one with mouth open on the syllable a and one closed on un. Decades of weather have worked on them and the surface has flaked in places. Large woven straw sandals hang at the gate, a votive custom tied to prayers for strong legs, and walkers who have come up the slope tend to look at them longer than anyone arriving by cable.

A short way past the gate, a stone torii stands over the same path. A Buddhist gate and a Shinto torii on one approach is not an inconsistency here. Hashikuraji kept its combined worship of kami and buddhas through the separation ordered in 1868, and at the honden today some visitors clap in the Shinto manner while others present a pilgrim's book for a temple stamp. Neither is corrected.

Below the gate, set beside the path, a stone carries a short verse by the lyricist Noguchi Ujo on the Kuratani gorge.

Then there is the question of origin. The Agency for Cultural Affairs records 1880 (Meiji 13), a date taken from the ridge tablet in the upper storey. Local historical writing has argued instead that the gate was brought here from Kochi Prefecture at some point before 1908, which would make 1880 the year it first went up somewhere else. Both accounts remain in circulation. The register follows the tablet, and this article does the same while flagging the alternative.

The temple grounds carry no admission charge, and the Niomon stands in the open on a public path with no closing hour of its own. Photographing the exterior is unrestricted. The honden interior is treated differently: the temple asks that it be entered only by those with a settled devotion.

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Q&A

QCan I visit Hashikuraji Niomon, and is there an admission fee?
AYes. The gate stands on an open approach path within the temple grounds and can be reached at any hour. Entry to the grounds is free. The only cost involved is the ropeway fare, and the gate is not on the ropeway route.
QHow do I reach Hashikuraji Niomon if I arrive by the Hashikurasan Ropeway?
AThe ropeway sets you down beside the abbot's quarters, well above the gate, so you would need to walk down the stone stairway and back up again. Visitors who want to see the Niomon usually drive instead: leave National Route 32 for the town road toward the Takatoro stone lantern, park in the small space there, and climb 48 steps. From the gate to the abbot's quarters on foot takes roughly 30 minutes.
QWhen was Hashikuraji Niomon built, and what is its cultural property status?
AThe Agency for Cultural Affairs gives 1880, the year on the ridge tablet in the upper storey. It was entered on the national register of Tangible Cultural Properties on 28 October 2011, in the same round as the temple's Takatoro, Chumon and Chozuya. Registration is a lighter form of protection than designation as an Important Cultural Property, which six older buildings at Hashikuraji received in 2004.
QWhat architectural style is Hashikuraji Niomon, and why does it matter?
AIt is built in zenshuyo, the Zen style introduced from Song China in the thirteenth century, using bracketing packed between the columns, doubled close-set rafters and cusped katomado windows. Its value on the register rests on being a well-handled example of that manner produced as late as the Meiji era, at a temple of the Shingon school rather than a Zen one.
QHow many steps are there from Hashikuraji Niomon up to the main sanctuary?
ACounts kept locally give 769 steps from the gate to the honden, with a further stretch of 278 between the abbot's quarters and the sanctuary that carries one character of the Heart Sutra on each riser. Walkers report about an hour and a quarter for the round trip from the gate.

Basic Information

NameHashikuraji Niomon (箸蔵寺仁王門)
Location1006 Kuratani, Suzu, Ikeda-cho, Miyoshi City, Tokushima Prefecture
DesignationRegistered Tangible Cultural Property (Structure); registration no. 36-0104
Year DesignatedRegistered 28 October 2011
Quantity1 building
DimensionsTimber, two storeys, tiled roof, building area 56 square metres
OwnerHashikuraji (religious corporation)
Public AccessExterior viewable at all times, free of charge; parking for a few cars near the Takatoro lantern below

References

National Cultural Properties Database, Hashikuraji Niomon (Agency for Cultural Affairs)
https://kunishitei.bunka.go.jp/heritage/detail/101/00009069
Cultural Heritage Online, Hashikuraji Niomon
https://online.bunka.go.jp/heritages/detail/252439
National Cultural Properties Database, Hashikuraji Hojo (Important Cultural Property)
https://kunishitei.bunka.go.jp/heritage/detail/102/00003878
Hashikurasan Ropeway, timetable
https://www.shikoku-cable.co.jp/hashikurasan/timetable/
Hashikurasan Ropeway, fares
https://www.shikoku-cable.co.jp/hashikurasan/price/
Awa Navi (Tokushima Prefecture tourism), Hashikuraji
https://www.awanavi.jp/archives/spot/2781
Shikoku Henro information site, the Takatoro and Niomon on the Hashikuraji approach
https://pilgrim-shikoku.net/twoculturalassets-hashikurajiapproach

Last verified: 2026.08.23