A 700-Year-Old Tachi Forged in the Year a Shogunate Fell: The Jitsua Sword at Atsuta Jingu
At Atsuta Jingu in Nagoya, the great shrine that enshrines one of the three sacred imperial treasures of Japan, a single tachi (long sword) carries within its blade two distinct moments in history. Its tang bears the inscription "Made by Jitsua on the first day of the sixth month, third year of Genkō" — the very year, 1333, when the Kamakura shogunate fell. More than two centuries later, in 1595, a samurai named Matsushita Koichirō Morikatsu had a second inscription engraved on the ridge of the same blade, dedicating it to the great deity of Atsuta. Designated an Important Cultural Property of Japan, this sword is a rare surviving work by the Chikuzen master swordsmith Jitsua, and one of the most historically resonant blades in the shrine's vast collection of more than 450 sacred swords.
Historical Background
To understand this sword, one must understand two periods at once. It was forged in early summer of 1333 in Chikuzen Province (present-day Fukuoka Prefecture), where a brilliant lineage of swordsmiths had emerged in the wake of the Mongol invasions of the late thirteenth century. After the second invasion of 1281, the Kamakura shogunate strengthened the defenses of northern Kyushu, and a community of skilled craftsmen gathered at the Hakata Dangisho, an institution under the patronage of Buddhist authorities. From this milieu rose the lineage of Ryōsai, Sairen Kuniyoshi, and Jitsua — the master who forged this tachi — whose family would culminate one generation later in Samonji, counted among the famed Ten Disciples of Masamune.
Jitsua, a Master Who Left Few Works
Jitsua was the son of Sairen Kuniyoshi and the father of Samonji. Records of his work are sparse: surviving year-dated blades fall between 1327 and 1335, and forgeries of his signature are common, which makes authentic examples like the Atsuta sword especially valuable. He is sometimes associated with the Umi Hachimangū Shrine in Chikuzen, where he may have served as a swordsmith priest, and he is said to have used iron mined in Kyushu rather than the refined steels of the capital region. The result is a vigorous, somewhat rugged grain in the blade's surface — a quality regarded as authentically southern, retaining the older traditions of nine-province swordmaking before the dramatic stylistic shift his grandson Samonji would bring about.
A Date Heavy with Meaning
The first day of the sixth month of Genkō 3 corresponds to roughly mid-July 1333. Within weeks of this date, Kamakura would fall to forces loyal to Emperor Go-Daigo, ending nearly a century and a half of warrior government. There is no record that Jitsua intended any political statement in choosing this day to inscribe his work, but for the modern viewer the coincidence is striking — a finely worked weapon dated to the precise summer when the medieval order of Japan was being remade.
Why This Sword Was Designated an Important Cultural Property
The tachi was registered as a national Important Cultural Property because it satisfies several rare conditions at once. First, it is a securely dated work by a master whose authentic blades survive in only small numbers. Second, the tang remains in its original ubu (unaltered) state, with the original signature and date intact. Third, it is unusually well preserved, retaining its strong original curvature of about 3.7 centimeters across a blade length of 83.7 centimeters — proportions that allow scholars to study the precise aesthetic of late Kamakura Chikuzen sword-making at first hand.
Equally important is the second inscription on the blade. Carved on the shinogi-ji, the narrow ridge surface of the sword, is a dedication recording that on an auspicious day in the fifth month of Bunroku 4 (1595), Matsushita Koichirō Morikatsu offered the sword to the great deity of Atsuta with prayers for the fulfillment of all his wishes. This kind of "added inscription" — known as kiritsuke-mei in Japanese — is itself a distinctive tradition at Atsuta Jingu, where many dedicated blades bear later engravings recording the act of donation. A single sword therefore preserves the work of a fourteenth-century craftsman, the prayer of a sixteenth-century warrior, and the unbroken devotion of a shrine that has received offerings of swords for well over a thousand years.
Highlights and Things to Appreciate
The Shape of the Blade
The tachi has the elegant deep curvature characteristic of late Kamakura work, with a strong waist-curve (koshizori) that places the deepest point of the bend close to the hilt. This is the silhouette designed for cavalry use, drawn upward from the saddle in a single sweeping motion. The length of nearly 84 centimeters and the depth of curve close to 3.7 centimeters together produce a profile that is both vigorous and beautifully balanced.
The Forging Pattern
Connoisseurs note a coarser, more vivid grain in the blade's body than is typical of the more refined Kyoto schools of the same period. This rougher quality is not a flaw but a regional signature: it reflects the use of locally mined Kyushu iron and the older traditions of southern smithing. The hamon (tempering pattern) along the cutting edge follows the gentle suguha or "straight blade" line favored by the early Chikuzen school, with a softly clouded edge typical of the area.
The Two Inscriptions
The most fascinating feature of the sword is the contrast between its two engraved texts. On the tang, in a single line on the front (the side worn outward when carried at the waist), is the original maker's signature and date in clear, confident strokes. Hidden later on the ridge of the blade — a delicate, narrow surface where engraving is technically demanding — is the long dedication of 1595, naming Matsushita Morikatsu and his prayer to Atsuta Daimyōjin. To trace one's finger from one inscription to the other is to travel across 262 years of Japanese history.
Visiting the Sword
The sword is held in the collection of Atsuta Jingu and is shown periodically at the shrine's dedicated Sword Pavilion, the Tsurugi-no-Hōko Kusanagi-kan, which opened in October 2021. The pavilion was built specifically to display the shrine's swords, with each blade presented in its own glass case so that visitors can study both faces of the weapon — including the "kiritsuke-mei" dedication inscriptions that are an Atsuta speciality. Important Cultural Property blades like the Jitsua tachi rotate in and out of display alongside other treasures, so visitors interested in seeing this particular sword are encouraged to check the current exhibition list before traveling.
Atsuta Jingu itself is one of the most important Shinto shrines in Japan. Its main object of worship is the Kusanagi-no-Tsurugi, the Grass-Cutting Sword, which is one of the three Imperial Regalia of Japan. Because of this, swords have been offered to the shrine for centuries by emperors, warriors, and ordinary devotees alike. Today the collection numbers more than 450 blades, including roughly twenty designated as National Treasures or Important Cultural Properties.
Around the Shrine
A visit to see the sword pairs naturally with exploration of the wider shrine grounds. Within the wooded precincts stand the Nobunaga-bei, a great earthen wall donated by Oda Nobunaga in thanks for victory at the Battle of Okehazama in 1560, and a thousand-year-old camphor tree said to have been planted by the Buddhist priest Kūkai. The Kokoro-no-Komichi, a quiet path through the inner forest, leads past smaller subsidiary shrines including the Ichi-no-Misaki Jinja, which enshrines an aspect of the sun goddess Amaterasu.
For food, the area around the shrine is famous for hitsumabushi, a Nagoya specialty in which grilled freshwater eel is served over rice and eaten in three different ways. The historic restaurant Atsuta Hōraiken, just minutes from the shrine, is among the most celebrated places to try the dish. Slightly further afield, central Nagoya offers Nagoya Castle, the gleaming Tokugawa Art Museum, and the lively Ōsu shopping district.
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Q&A
- What does the long inscription on this sword actually say?
- The tang carries the swordsmith's name and date: "Made by Jitsua on the first day of the sixth month, third year of Genkō" (1333). The ridge of the blade carries a separate dedication added in 1595 by a samurai named Matsushita Koichirō Morikatsu, who offered the sword to the great deity of Atsuta praying that all his wishes be fulfilled.
- Who was Jitsua, the maker of the sword?
- Jitsua was a swordsmith of the Chikuzen tradition in late Kamakura-period Kyushu. He was the son of Sairen Kuniyoshi and the father of Samonji, the celebrated master counted among the Ten Disciples of Masamune. Authentic dated works by Jitsua are very rare, which makes the Atsuta sword particularly important.
- Is the sword always on display at the shrine?
- No. The shrine holds more than 450 swords and rotates them through the Kusanagi-kan Sword Pavilion. Visitors who wish to see this particular blade should check the current exhibition list on the shrine's website before traveling.
- Why does Atsuta Jingu hold so many swords?
- The main object of worship at Atsuta Jingu is the Kusanagi-no-Tsurugi, the legendary Grass-Cutting Sword that is one of the three Imperial Regalia of Japan. Because the shrine itself enshrines a sword, swords have been offered as votive gifts since ancient times — by emperors, warriors of every era, and ordinary devotees in thanks for granted prayers.
- How do I get to Atsuta Jingu from central Nagoya?
- Atsuta Jingu is about three minutes on foot from Jingūmae Station on the Meitetsu Nagoya Main Line, or roughly seven minutes from Jingū-Nishi Station on the Nagoya Subway Meijō Line. From Nagoya Station, the journey takes about ten minutes by train.
Basic Information
| Name | Tachi, signed "Made by Jitsua on the first day of the sixth month, third year of Genkō," with a Bunroku 4 dedication inscription by Morikatsu on the ridge |
|---|---|
| Designation | Important Cultural Property of Japan |
| Date of Forging | 1333 (Genkō 3), late Kamakura period |
| Date of Dedication | 1595 (Bunroku 4), Azuchi-Momoyama period |
| Smith | Jitsua, of the Chikuzen (Sairen-Samonji) lineage |
| Place of Forging | Chikuzen Province (present-day Fukuoka Prefecture) |
| Length of Blade | Approximately 83.7 centimeters |
| Curvature (sori) | Approximately 3.7 centimeters |
| Owner | Atsuta Jingu |
| Display Location | Tsurugi-no-Hōko Kusanagi-kan (Sword Pavilion), Atsuta Jingu |
| Address | 1-1-1 Jingū, Atsuta-ku, Nagoya, Aichi 456-8585 |
| Access | Three minutes on foot from Jingūmae Station (Meitetsu Nagoya Main Line) |
References
- Atsuta Jingu Official Site — Kusanagi-kan Sword Pavilion
- https://www.atsutajingu.or.jp/houmotukan_kusanagi/kusanagi/
- Atsuta Jingu Official Site — Treasure Hall
- https://www.atsutajingu.or.jp/houmotukan_kusanagi/houmotukan/index02.html
- Wikipedia — Samonji Genkei (left-text smithing lineage)
- https://ja.wikipedia.org/wiki/%E5%B7%A6%E6%96%87%E5%AD%97%E6%BA%90%E6%85%B6
- Touken World — Sairen / Kuniyoshi
- https://www.touken-world.jp/sword-artisan-directory/sairen/
- Serai — On the Treasures of Atsuta Jingu
- https://serai.jp/tour/390945
- e-Theoria Museum Report — Kusanagi-kan
- https://www.e-theoria.com/museum/044_02.html
- Fukuyama Museum of Art — Masterworks of the Chikuzen Samonji School
- https://www.city.fukuyama.hiroshima.jp/site/fukuyama-museum/131890.html
Last verified: 2026.04.29