Registered Tangible Cultural Properties of Japan

At Kenkun Shrine, the Lattice Fence rings the sanctuary for 55 metres. Built in 1910, it sets a boarded wainscot below an open diamond lattice marking the sacred edge.

Discover Doshisha Women's College James Hall, a 1914 brick building by architect Takeda Goichi standing across from Kyoto Imperial Palace—where California-inspired walls meet a Japanese tile roof in a refined wakon-yōsai masterpiece.

Behind a tall wall in central Kyoto, a 1909 takabei-zukuri residence blends shoin-style refinement with late-Meiji craft. Registered, restrained, still a working ryokan.

A 1909 two-story earthen storehouse at the rear of a Kyoto machiya in Shimogyō, the Toshiharu Dozō shows hongawara tile, deep eaves, and a black-plastered doorway.

Discover the Nissha Main Building, a nationally registered tangible cultural property in Kyoto's Nakagyo Ward. Built in 1906 as a textile factory office, this elegant brick building features Corinthian columns, ornamental pressed-tin ceilings, and now houses the NISSHA Printing History Museum.

Discover the Holy Trinity Church in Kyoto, a nationally registered tangible cultural property built in 1930. Designed by American architect J.V.W. Bergamini, this unique wooden church blends Japanese traditional architecture with Western ecclesiastical design, featuring exposed timber framing, plaster cross decorations, and an elegant geometric truss chapel.

Discover Hanshoan, the historic tea room of the Hisada family in central Kyoto. A Registered Tangible Cultural Property dating back to the 17th century, this intimate tea room carries the legacy of Sen no Rikyu and the Omotesenke tradition.

A 1917 machiya-style sentō in Maizuru's Yoshiwara fishing town. Registered cultural property (2021) with original pine beams beside the 'Oriental Venice' canal.

Built around 1925 as the headquarters of Nikkosha, one of Kyoto's earliest automobile distributors, the Fuji Rabbit Building blends classical columns, tire-motif stained glass, and a sun-shaped roof tower a short walk from Kyoto Station.

On the same plot as Kyoto's famous Funaoka Onsen public bath stands the wooden two-story inn building that started it all. Built c. 1923 with a 1930 renovation, the Former Funaokarō preserves the small banquet rooms and second-floor hall of a Taishō-era ryokan, registered as a Tangible Cultural Property in July 2003.

A 29-square-meter wooden storefront tucked beside Funaoka Onsen in northern Kyoto, the former barbershop is an early example of kanban-kenchiku (signboard architecture) built around 1923. It was registered as a Tangible Cultural Property in 2003 alongside three other buildings of the same bathhouse complex.

A 1932 concrete bathhouse in northern Kyoto reuses stone railings from the demolished Kikusui Bridge, with majolica tile walls and circular clerestory windows.

Behind Kyoto's Heian Jingu sanctuary runs the inner corridor, a 1940 vermilion cloister on a stone platform with latticed windows and round pillars.

The great torii of Kyoto's Heian Jingu, raised in 1928 in reinforced concrete, stands about 24 meters tall. Once Japan's largest, it anchors the Okazaki district.

On the west of Heian Jingu's south court stands the 1940 Gakuden, a rest-and-assembly hall modeled on an ancient palace hall, with board doors and lattice shutters.

On the east of Heian Jingu's south court, the 1940 Kaguraden sits on a stone platform, open on three sides, hosting sacred dance and Shinto weddings.

Outside Heian Jingu's east corridor, the 1940 Saikan is a refined modern Japanese hall with a karahafu gabled entrance and finely coffered ceilings.

Extending east and west from Heian Jingu's main gate, the 1940 Shinmon Yokuro adds tatami rooms and vermilion woodwork under tiled roofs, shaping the shrine's front.

Behind Heian Jingu's sanctuary, a see-through fence and small rear gate close off the rear precinct. Built in 1940 by Sunami Takashi and Tani Shigeo, it runs 90 meters.

Beside its eastern twin, Heian Jingu's West Saikiko is a 1940 two-story plaster storehouse for ritual vessels, with namako-style joints at its base and plastered eaves.