The Scriptures That Carry a Scent

At Ishiyama-dera, a hillside temple beside the Seta River in Otsu, more than eighty handwritten Buddhist scrolls are kept under a name that says nothing about their subject matter. They are called the kun-shōgyō, the scented scriptures. The word refers not to incense burned near them but to a fragrance that, according to temple tradition, has clung to the paper for over a thousand years.

The scrolls are the work of a single hand. Shunyū (890–953), the third head priest of Ishiyama-dera, copied and composed them during the Heian period, and they survive as a rare body of autograph manuscripts by a named tenth-century monk. In 1961 the collection was designated a National Treasure under the calligraphy and classical-texts category. The official tally now stands at 83 scrolls and one folded booklet, with a separate scripture catalogue listed as an attached item.

Shunyū was no ordinary copyist. He was a grandson of Sugawara no Michizane, the scholar-statesman later worshipped across Japan as the deity of learning, and the son of Michizane's child Atsushige. The title naiku that follows his name is short for a rank of monk who served at the emperor's side, performing protective rites for the imperial person.

A Monk Who Wrote Because He Could Not Sit

Shunyū lived with a physical condition that kept him from sitting in the formal cross-legged posture expected of senior clergy. Where another priest might have built a career through ceremony and office, he turned to study and writing. He is said to have declined a series of appointments, and the body of text he left behind is unusually large for a monk of his century.

That biography is the reason these documents matter beyond their legend. Heian-period autograph manuscripts of any kind are scarce, and a coherent set written, annotated, and organized by one identifiable scholar-monk is rarer still. The scrolls record esoteric Buddhist teachings of the Shingon school, copied out in Shunyū's own characters, and several carry his notes in the margins. For specialists they offer a direct window into how a learned monk a millennium ago read, corrected, and arranged his sources.

Shunyū is also credited as a figure who restored the fortunes of Ishiyama-dera, and the temple regards him as a key reviver of its lineage. A clay portrait sculpture of him, its forehead and mouth creased with age, was given its eye-opening ceremony in 1398 and remains at the temple. The aged monk it depicts is the same hand that produced the scented scrolls.

The Legend of the Fragrance

The name kun-shōgyō comes from an account set in the year 921. Shunyū's teacher, the priest Kangen, then holding senior posts at Tō-ji in Kyoto and at the Kōyasan monastic complex, traveled to the mausoleum of Kūkai deep in the Oku-no-in precinct of Mount Kōya. Kūkai, the founder of Japanese Shingon Buddhism, had recently been granted the posthumous title Kōbō Daishi by imperial decree, and Kangen carried that decree along with bestowed robes to the tomb. Shunyū went with him.

During the rite of changing the master's robes, Shunyū is said to have touched Kūkai directly. Most tellings say his hand met the robe; one tradition preserved at the temple says he touched the master's knee. Either way, the story holds that a fragrance passed to his hand and never left it. Every scripture he afterward copied took on that scent, and so the collection earned its name. Visitors should treat the account as the temple does, as a cherished legend rather than documented fact, but it explains why these particular manuscripts have been guarded with such care across the centuries.

The history of the designation has kept growing alongside the legend. The collection long stood at 73 scrolls and one booklet. In 2025 a further ten scrolls were added to the National Treasure listing, bringing the recognized total to its present figure and confirming that scholars are still identifying genuine pieces in Shunyū's hand.

Seeing the Scrolls, and the Temple Around Them

A word of realism for anyone hoping to view the scented scriptures: they are shown only rarely. The manuscripts are fragile and light-sensitive, so the temple displays them a single scroll at a time, usually during its seasonal exhibitions in the Hōjō-den treasure hall. At one scroll per showing, presenting the whole collection would take several decades. Checking the temple's exhibition schedule before a visit is the only reliable way to know whether a scroll will be on view.

The temple itself rewards the trip regardless. Ishiyama-dera takes its name from the great outcrop of wollastonite that rises through the grounds, the rough grey rock visible beneath the main hall. The hall is a National Treasure in its own right, and a tall pagoda nearby counts among the oldest of its type in the country. The clay portrait of Shunyū connects the visit directly to the scrolls.

Ishiyama-dera is also one of the great literary sites of Japan. The author Murasaki Shikibu is traditionally said to have begun The Tale of Genji here while gazing at the moon over Lake Biwa, and the temple appears in classical court diaries by women who made the pilgrimage. Cherry blossom in spring and maple leaves in autumn draw visitors throughout the year, and the seasonal treasure-hall exhibitions are timed to those peaks.

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Q&A

QCan I actually see the scented scriptures when I visit?
AOnly sometimes. The scrolls are displayed one at a time during the temple's seasonal exhibitions in the Hōjō-den treasure hall, which opens in spring and autumn. Confirm the current exhibition list before traveling, since a given scroll may not be on view.
QWhy are they called "scented" scriptures?
ATemple tradition says the monk Shunyū touched the robe of Kūkai at his mausoleum on Mount Kōya in 921, and a fragrance passed to his hand. The scriptures he later copied are said to have kept that scent, giving the collection its name.
QHow many scrolls are there?
AThe National Treasure now comprises 83 scrolls and one folded booklet, plus a scripture catalogue registered as an attached item. Ten scrolls were added to the listing in 2025, raising the previous total of 73.
QWho was Shunyū?
AHe was the third head priest of Ishiyama-dera (890–953) and a grandson of the scholar Sugawara no Michizane. A physical condition kept him from formal seated posture, so he devoted himself to study and left a large body of writing in his own hand.
QHow do I get to Ishiyama-dera?
AThe temple is in Otsu, Shiga Prefecture. From Ishiyamadera Station on the Keihan line it is about a ten-minute walk. From Kyoto, take the JR Biwako Line to Ishiyama and transfer to the Keihan line for one stop.

Basic Information

NameShunyū Naiku hitsu Shōgyō (Kun-shōgyō), the scriptures in the hand of the monk Shunyū
LocationIshiyama-dera, Otsu, Shiga Prefecture
OwnerIshiyama-dera
CategoryNational Treasure, calligraphy and classical texts
DesignatedApril 27, 1961; ten scrolls added September 26, 2025
Count83 scrolls and 1 folded booklet (attached item: scripture catalogue, 1 scroll)
PeriodHeian period
ScribeShunyū (890–953), third head priest of Ishiyama-dera
ViewingDisplayed occasionally in the Hōjō-den treasure hall during seasonal exhibitions; not on permanent view
Temple hoursGates open 8:00 to 16:30 (last entry 16:00); admission 600 yen for adults

References

Agency for Cultural Affairs, National Cultural Properties Database: Shunyū Naiku hitsu Shōgyō (Kun-shōgyō)
https://kunishitei.bunka.go.jp/bsys/maindetails/201/756
Ishiyama-dera official site: Temple treasures and cultural properties
https://www.ishiyamadera.or.jp/about/treasure
Ishiyama-dera official site: Notice of additional National Treasure designation
https://www.ishiyamadera.or.jp/info/news/12208
Ishiyama-dera official site: Guide to the precincts
https://www.ishiyamadera.or.jp/guide/precincts
Ishiyama-dera official site: Admission fees and hours
https://www.ishiyamadera.or.jp/guide/fee

Last verified: 2026.06.08