Tsushin Zenran and Zoku Tsushin Zenran: The Diplomatic Archive That Recorded Japan's Encounter With the World
Among the most monumental historical records preserved in Tokyo are two extraordinary compilations of diplomatic documents: Tsushin Zenran (Compendium of Foreign Communications) and its sequel Zoku Tsushin Zenran (Continued Compendium of Foreign Communications). Held by the Diplomatic Archives of the Ministry of Foreign Affairs, these compilations preserve, in painstaking detail, the diplomatic correspondence and negotiations that defined Japan's dramatic transition from a closed nation into an active participant in the modern international order.
For visitors interested in the late Tokugawa shogunate (Bakumatsu) era, the arrival of Commodore Perry's “Black Ships,” or the diplomatic incidents that shaped modern Japan, these archives represent an unrivaled primary source. With Tsushin Zenran comprising 320 volumes and Zoku Tsushin Zenran totaling 1,784 volumes, together they form a record of approximately two thousand bound volumes—a documentary mountain rising out of one of the most turbulent decades in Japanese history.
Historical Background: A Decade That Changed Japan
The years from 1859 to 1868 (Ansei 6 to Keio 4) are arguably the most consequential in Japan's diplomatic history. Following the conclusion of the Ansei Five-Power Treaties in 1858, the country opened its ports of Yokohama, Hakodate, and Nagasaki to foreign trade, while political pressure inside Japan intensified between supporters of opening the country (kaikoku) and advocates of expelling the barbarians (joi). Diplomatic missions from the United States, Britain, France, the Netherlands, and Russia established themselves in Edo and the open ports, generating an unprecedented volume of correspondence, memoranda, and conversational records.
The Tokugawa shogunate's newly created Foreign Affairs Office (Gaikoku-gata) found itself inundated with documents. Recognizing that scattered records would soon become unmanageable—especially after fires and political upheavals such as the 1863 Edo Castle fire—officials began an ambitious project to compile, classify, and preserve these papers as institutional memory.
The Compilation of Tsushin Zenran
The first work, Tsushin Zenran, was compiled between Keio 1 (1865) and Keio 3 (1867) by Tanabe Taichi and other officials attached to the Foreign Magistrates (Gaikoku Bugyo). It covers two years of records, those of Ansei 6 (1859) and Man'en 1 (1860), and is structured into three main parts: the Hennen-no-bu (Chronological Section), the Ruishu-no-bu (Classified Section), and the Ruishu Teiyo-no-bu (Classified Summary Section).
What makes this work distinctive is its careful four-way classification of every interaction: written documents versus conversation transcripts, and matters handled by senior councillors (roju) responsible for foreign affairs versus those handled by the Foreign Magistrates and below. Each is then arranged by country and chronologically by case—a sophisticated archival logic that reflects the bureaucratic precision of the late Tokugawa government.
The Compilation of Zoku Tsushin Zenran
The successor work, Zoku Tsushin Zenran, was begun in Meiji 4 (1871) by Sakata Morotoo and others at the newly established Ministry of Foreign Affairs, with full-scale compilation starting around 1874 and continuing for roughly a decade. It covers the eight years from Bunkyu 1 (1861) to Keio 4 (1868), encompassing the most turbulent phase of the Bakumatsu era. Unlike its predecessor, the Hennen-no-bu here arranges all documents and dialogues strictly by date, regardless of the rank of the Japanese officials involved.
The Ruishu-no-bu of the sequel is far more ambitious, classifying materials into 27 distinct categories called mon—including ceremony, friendship, regulations, security, trade, taxation, land matters, lodgings, employment, travel, industry, navigation, machinery, products, religion, ships, finance, arts and learning, documents, weapons, and violent incidents. This thematic breadth means the compilation captures not only diplomatic negotiations but also the social, economic, and cultural transformations of the period.
Why It Was Designated an Important Cultural Property
On August 17, 2016 (Heisei 28), Tsushin Zenran and Zoku Tsushin Zenran were designated as Important Cultural Properties under Japan's Law for the Protection of Cultural Properties. The designation, in the “Historical Materials” category of arts and crafts, was made by the Minister of Education, Culture, Sports, Science and Technology following the Council for Cultural Affairs' recommendation in March of the same year.
The official rationale is striking in its directness: these compilations represent the very first systematic compilation of diplomatic documents undertaken by an institution whose duty was the conduct of foreign affairs—the prototype, in other words, of modern Japanese diplomatic record-keeping. The work's academic value as a fundamental resource for the study of Bakumatsu-era diplomatic history was deemed exceptionally high.
Beyond their scholarly significance, the volumes themselves are testament to the dedication of their compilers, who labored to gather and reorganize documents that had been scattered by fires, political turmoil, and the dissolution of the shogunate. Their efforts established a tradition of foreign-affairs documentation that continues to shape the Ministry of Foreign Affairs today.
Highlights and What to Look For
While the original volumes themselves are kept under strict archival conditions, the depth of their content is what continues to fascinate historians and visitors alike. Several features stand out as particularly compelling.
Records of Pivotal Bakumatsu Incidents
The compilations contain detailed dossiers on many of the era's most famous events. Documents on Commodore Perry's landing at Kurihama and the presentation of his letter, the exchange of ratifications of the Treaty of Amity and Commerce by Niimi Buzen-no-kami and the first Japanese mission to America, the 1861 attack on the British provisional legation at Tozenji temple, the 1862 Namamugi Incident in which Charles Lennox Richardson was killed, and the shogun's eventual restoration of governmental authority to the emperor are all preserved here as primary materials.
Maps, Illustrations, and Visual Records
One of the most distinctive features of Zoku Tsushin Zenran is the inclusion of numerous maps, drawings, scenic views, and ethnographic illustrations. The compilers consciously decided that “matters that cannot be made clear without diagrams should be drawn so as to be understood at a glance.” A figure named Nakajima Masanobu was responsible for faithfully reducing and reproducing the original drawings, with assistants Okano Yoshiyuki and Hasegawa Yosaburo handling additional duplication. Documents relating to the Bonin Islands (Ogasawara) survey expedition, in particular, contain many vivid scenic illustrations.
The Compilers' Voice
The opening volume of Zoku Tsushin Zenran includes a memorial of submission known as the Zoku Tsushin Zenran Henshin Johyo, in which the compilers describe the hardships they faced and articulate their sense of mission. The accompanying introductory volumes provide cross-reference tables of the Japanese and Western calendars, lists of imperial era-name changes since the Koka era, and rosters of foreign-affairs officials and the magistrates of the five open ports—indispensable navigational aids for any serious reader.
Visiting the Diplomatic Archives
The Diplomatic Archives of the Ministry of Foreign Affairs is located in the Azabudai district of Minato Ward, Tokyo. The original volumes of Tsushin Zenran and Zoku Tsushin Zenran are stored in the main building's archival stacks. Researchers may consult facsimile reprint editions—published by Yusho-do Shoten between 1983 and 1988 in 60 volumes plus 61 supplementary volumes of indices and commentary—at the Reading Room (Honkan).
For general visitors, the more accessible point of contact is the Diplomatic Archives Exhibition Room, which reopened on April 8, 2024, on the 5th floor of Mori JP Tower at the new Azabudai Hills development. The renewed exhibition features expanded explanatory panels and video commentary, presenting representative diplomatic documents from the late Edo period through the 21st century—including the 1858 Treaty of Amity and Commerce between Japan and the United States, Prime Minister Yoshida Shigeru's acceptance speech for the San Francisco Peace Treaty, and Japan's oldest passport.
From time to time, themed special exhibitions display original materials including selections from Tsushin Zenran and Zoku Tsushin Zenran. Checking the Ministry's website before visiting is highly recommended.
Access
- Tokyo Metro Hibiya Line, Kamiyacho Station, Exit 5, approximately 4 minutes on foot via the Central Walk to Mori JP Tower
- Tokyo Metro Namboku Line, Roppongi-itchome Station, Exit 4, approximately 2 minutes on foot
- Toei Oedo Line, Roppongi Station, Exit 5, approximately 10 minutes on foot
Around the Diplomatic Archives
The Azabudai and Toranomon area offers some of central Tokyo's most rewarding sightseeing, all within walking distance of the Exhibition Room.
Tokyo Tower
The iconic 333-meter symbol of post-war Japan stands roughly 15 minutes on foot from Azabudai Hills. Its observation decks offer sweeping views of the metropolis—a fitting counterpoint to the late-Edo records preserved nearby.
Azabudai Hills Itself
The Mori JP Tower that houses the Exhibition Room is currently the tallest building in Japan, rising 325 meters. The complex includes gardens designed around the concept of a “Modern Urban Village,” the teamLab Borderless digital art museum, and an array of cafes and restaurants.
Zojoji Temple
About 20 minutes on foot, this historic Pure Land temple has served as the Tokugawa family temple since the early Edo period and contains the mausolea of six Tokugawa shoguns—including Iemochi, who reigned during much of the period documented in the compilations.
Roppongi Hills and the Mori Art Museum
A short walk west, this earlier Mori-developed urban complex offers contemporary art exhibitions, the Tokyo City View observatory, and a wealth of dining options.
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Q&A
- Can ordinary visitors view the original Tsushin Zenran volumes?
- Direct access to the original volumes is restricted for preservation reasons. However, complete facsimile reprint editions can be consulted at the Reading Room of the Diplomatic Archives by researchers. Selected pages are also occasionally displayed at the Exhibition Room in Azabudai Hills during special exhibitions.
- Is the Diplomatic Archives Exhibition Room free to enter?
- Yes. Admission to the Exhibition Room on the 5th floor of Mori JP Tower is free of charge. It is open Monday through Saturday from 10:00 to 17:30, with last admission at 17:00, and closed on Sundays, national holidays, and during the year-end and New Year period.
- Are the documents written in classical Japanese?
- Yes, the originals are written in formal classical Japanese, often using kanbun-influenced styles, sometimes with hand-copied translations of foreign-language correspondence. The Exhibition Room provides English explanatory panels and video commentary to help international visitors appreciate the historical context.
- Can I view the materials online?
- Many of the documents are available through the Japan Center for Asian Historical Records (JACAR), which hosts a digital archive that can be accessed worldwide. The Ministry of Foreign Affairs website also provides searchable bibliographic information.
- How long should I plan for a visit to the Exhibition Room?
- Most visitors find that 45 minutes to an hour is sufficient to view the permanent exhibition and any current special exhibition. Combining the visit with the wider Azabudai Hills complex and a meal makes for an excellent half-day itinerary.
Basic Information
| Name | Tsushin Zenran (320 volumes) / Zoku Tsushin Zenran (1,784 volumes) |
|---|---|
| Designation | Important Cultural Property of Japan (Historical Materials category), designated August 17, 2016 |
| Period Covered | Ansei 6 to Keio 4 (1859–1868) |
| Compilation Period | Tsushin Zenran: Keio 1–3 (1865–1867); Zoku Tsushin Zenran: from Meiji 4 (1871), full work from Meiji 7 (1874), continuing roughly a decade |
| Principal Compilers | Tanabe Taichi and others (Tsushin Zenran); Sakata Morotoo and others, Ministry of Foreign Affairs (Zoku Tsushin Zenran) |
| Holding Institution | Diplomatic Archives, Ministry of Foreign Affairs of Japan |
| Main Building Address | 1-5-3 Azabudai, Minato-ku, Tokyo 106-0041 (Reading Room) |
| Exhibition Room | 5F Mori JP Tower, Azabudai Hills, 1-3-1 Azabudai, Minato-ku, Tokyo 106-0041 |
| Exhibition Hours | Monday–Saturday 10:00–17:30 (last admission 17:00); closed Sundays, national holidays, and year-end period |
| Admission | Free |
References
- Tsushin Zenran / Zoku Tsushin Zenran (Cultural Heritage Online)
- https://bunka.nii.ac.jp/heritages/detail/400298
- On the Designation of “Tsushin Zenran” and “Zoku Tsushin Zenran” Held by the Diplomatic Archives as Important Cultural Properties (National Archives of Japan)
- https://www.archives.go.jp/publication/archives/no063/5795
- Tsushin Zenran / Zoku Tsushin Zenran (Diplomatic Archives, Ministry of Foreign Affairs of Japan)
- https://www.mofa.go.jp/mofaj/annai/honsho/shiryo/shozo/bakumatsu.html
- Diplomatic Archives Exhibition Room (Ministry of Foreign Affairs of Japan)
- https://www.mofa.go.jp/mofaj/annai/honsho/shiryo/archive.html
- Diplomatic Archives, Ministry of Foreign Affairs of Japan (Minato City Tourism Association)
- https://visit-minato-city.tokyo/ja-jp/places/2636
Last verified: 2026.04.26