The Former Crown Prince's Palace: Japan's Only Neo-Baroque Palace

Standing majestically in the heart of Tokyo's Moto-Akasaka district, the State Guest House Akasaka Palace (formally known as the Former Tōgū Palace) is Japan's sole example of Neo-Baroque palatial architecture. Completed in 1909 as a residence for the Crown Prince, this magnificent building represents the pinnacle of Meiji-era Western-style architecture. In 2009, it earned the distinction of becoming the first modern building (post-Meiji Restoration) to be designated as a National Treasure of Japan—a testament to its extraordinary architectural, artistic, and historical significance.

Today, the palace serves a dual purpose: as Japan's premier state guest house for hosting world leaders and dignitaries, and as a publicly accessible cultural landmark where visitors can experience one of the finest examples of East-meets-West architecture anywhere in the world.

A Grand Vision Born of the Meiji Era

The story of Akasaka Palace begins in the late 19th century, when Japan was rapidly modernizing and sought to demonstrate its place among the world's great nations. The site itself carries centuries of history: during the Edo period, it was the secondary residence of the powerful Kishū Tokugawa clan. After the Meiji Restoration, the land was offered to the Imperial Household, and from 1873 to 1888, Emperor Meiji used it as a temporary imperial residence following a fire at the main palace.

In 1899, construction began on a grand new palace intended as the residence of Crown Prince Yoshihito (later Emperor Taishō). The project was entrusted to Katayama Tōkuma (1854–1917), one of Japan's foremost architects and a student of the renowned British architect Josiah Conder, who had designed landmark buildings such as the Rokumeikan. Katayama traveled extensively through Europe, studying palaces in France, Austria, and England—particularly Versailles, the Louvre, and Buckingham Palace—to inform his design.

The result was a masterpiece that took ten years and an enormous budget to complete. The total construction cost of approximately 5.1 million yen at the time was staggering—roughly half the cost of building a state-of-the-art battleship. Katayama mobilized the finest artists, craftsmen, and engineers in Japan for the project, creating what was essentially a national artistic endeavor on an unprecedented scale.

Why It Was Designated a National Treasure

In December 2009, following a major restoration completed that year, the Former Tōgū Palace was designated as a National Treasure—the first building from the Meiji era or later to receive this highest cultural distinction. The designation encompasses not only the Main Building but also several original structures: the porte-cochère and staircase, the main gate and surrounding walls, the east and west guard houses, the main garden fountain, and the main garden staircase.

The National Treasure designation recognizes the palace as the ultimate achievement of Japan's Meiji-era modernization in architecture, art, and craftsmanship. It demonstrates how Japan's finest artists and engineers absorbed Western architectural traditions and reinterpreted them through a uniquely Japanese sensibility. The building is valued for its remarkable fusion of European palatial grandeur with distinctly Japanese artistic motifs—from bronze samurai warriors on the rooftop to exquisite cloisonné panels on the interior walls.

The structure itself is an engineering marvel for its time: a steel-reinforced brick and stone building with a floor area of approximately 15,355 square meters, incorporating 2,800 tons of steel—including custom-ordered beams from the Carnegie Steel Company in the United States—and exterior walls clad entirely in domestically quarried Makabe granite from Ibaraki Prefecture.

Highlights and Must-See Features

The Main Building Exterior

The palace's Neo-Baroque facade is breathtaking in its symmetry and grandeur. The design features curved wings extending forward on both sides, reminiscent of Vienna's Neue Burg. Atop the roof, a pair of bronze samurai warriors in full armor stand guard—a striking Japanese interpretation of the Western tradition of placing classical statues on palatial rooftops. These warriors are arranged in the traditional a-un (open and closed mouth) configuration found at Japanese shrine entrances, creating a fascinating cultural dialogue between East and West.

Asahi no Ma (Hall of the Rising Sun)

The most prestigious of the palace's reception rooms, Asahi no Ma is used for summit meetings and state ceremonies. Designed in the Louis XVI style, it features Ionic columns of Norwegian marble and a magnificent ceiling painting depicting Aurora, the goddess of dawn. The walls are covered with Nishijin-ori brocade from Kyoto, and the carpet incorporates 47 shades of purple thread to create a delicate cherry blossom motif—a masterful blend of Western architectural framework with Japanese artistic sensibility.

Kacho no Ma (Hall of Flowers and Birds)

This stately banquet hall, designed in the Henri II style, features walls paneled in dark Shioji wood and adorned with 30 oval cloisonné panels depicting seasonal flowers and birds. These panels represent a remarkable collaboration between two masters of the Meiji art world: the painter Watanabe Seitei, who created the original designs, and the cloisonné artist Namikawa Sōsuke, who brought them to life in enamel. These works are widely regarded as among the finest cloisonné ever produced.

Hagoromo no Ma (Hall of the Feathered Robe)

Named after the classical Noh play Hagoromo, this room features a grand ceiling painting depicting a celestial maiden in her feathered robe. It serves as the palace's ballroom and is where welcome ceremonies for state guests take place. The room's three magnificent chandeliers, each weighing approximately 800 kilograms, are among the palace's most impressive decorative features.

Sairan no Ma (Hall of the Phoenix Bird)

Decorated in the Empire style (early 19th-century French), this room takes its name from the golden reliefs of the mythical ran bird (a type of phoenix) flanking the marble fireplace. Gold-leaf reliefs cover the walls, while Japanese elements appear in unexpected places—armor-clad warrior reliefs above the doorways and Japanese sword motifs on the mantelpiece create a uniquely cross-cultural visual experience.

The Entrance Hall and Grand Staircase

The main entrance where visiting dignitaries first set foot features a striking black-and-white checkered floor made from Italian Bianco Carrara marble and black Genshō stone from Miyagi Prefecture. The grand staircase, crafted from various European marbles, leads visitors up to the state rooms on the second floor, setting the tone for the opulence that lies ahead.

The Gardens

The palace grounds include two distinct gardens. The Main Garden (south side) features a magnificent National Treasure-designated fountain that has remained virtually unchanged since the palace's original construction. The Front Garden (north side) offers the iconic view of the palace facade and hosts food trucks and afternoon tea services. Both gardens are beautifully maintained with seasonal flowers throughout the year.

Yūshintei: The Japanese-Style Annex

Added in 1974 during the conversion to a state guest house, the Japanese-Style Annex was designed by the distinguished architect Taniguchi Yoshirō. Named "Yūshintei" (Hall of the Wandering Heart), it provides a contrast to the Western opulence of the main building, offering guests an experience of traditional Japanese hospitality. Features include a tranquil courtyard planted with bamboo, an ornamental pond with colorful koi, and refined tatami rooms that showcase the finest Japanese craftsmanship.

From Imperial Palace to State Guest House

Despite its grandeur, the palace had an ironic beginning as a residence. When Emperor Meiji first saw the completed building, he reportedly remarked that it was too extravagant. Crown Prince Yoshihito himself rarely used it, finding the palatial Neo-Baroque interiors impractical as a living space. After the Crown Prince ascended to the throne as Emperor Taishō, the building was redesignated as Akasaka Detached Palace.

Following World War II, the palace was transferred from the Imperial Household to the national government and served various institutional purposes, including housing the National Diet Library and offices for the Tokyo Olympic Organizing Committee in the 1960s. As Japan's international stature grew in the postwar era, the need for a proper state guest facility became pressing.

In 1967, the government decided to transform the palace into a state guest house. A massive six-year renovation project, guided by the acclaimed architect Murano Tōgo for the main building and Taniguchi Yoshirō for the new Japanese-style annex, was completed in 1974 at a cost of 10.8 billion yen. The very first state guest to be hosted at the newly renovated facility was U.S. President Gerald Ford in November 1974.

Since then, the palace has welcomed countless heads of state, royalty, and world leaders. It has also served as the venue for major international events, including the G7 Tokyo Summit.

Surrounding Area and Nearby Attractions

The Akasaka Palace is situated in one of Tokyo's most historically rich neighborhoods. Within walking distance, visitors can explore several noteworthy sites.

The Akasaka Palace Front Rest House, opened in 2020 directly in front of the main gate, is a sunken plaza featuring a café operated by a Niigata winery, a gift shop with original palace merchandise, and an information center—all free to enter. The Meiji Memorial Hall (Meiji Kinenkan), a short walk south, is a historic wedding venue and restaurant with its own distinguished architectural heritage. Sōtokuji Temple and several other historic shrines are nestled in the quiet residential streets nearby.

The Sotobori Park (Outer Moat Park), stretching along the former moat of Edo Castle near Yotsuya Station, is famous for its cherry blossom-lined promenade in spring. The Yotsuya Shinmichi-dōri street near the station offers a charming collection of traditional Japanese eateries and izakaya, providing an authentic local dining experience. Visitors looking for more modern attractions will find the commercial hub of Akasaka and Roppongi within easy reach.

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Q&A

QDo I need to make a reservation to visit the Akasaka Palace?
AFor the Main Building and Gardens, no advance reservation is required—you can visit on the day by going directly to the West Gate. However, reservations are recommended on busy days, as priority entry is given to those with reservations. Visiting the Japanese-Style Annex (Yūshintei) does require an advance reservation, which can be made through the official website. Group visits of 20 or more also require prior booking.
QIs there English-language support available at the palace?
AYes. Audio guides are available for the Main Building in six languages, including English, for a rental fee of 200 yen. For the Japanese-Style Annex, English guided tours are offered on weekends and public holidays (typically at 3:00 PM). The official website also provides comprehensive information in English.
QCan I take photographs inside the palace?
APhotography inside the Main Building is generally not permitted. However, you are welcome to take photographs in the gardens, including the Main Garden and Front Garden areas. Special photography events may occasionally be held—check the official website for the latest information.
QAre there any dress code requirements or rules for visiting?
AWhile there is no strict dress code, casual clothing is acceptable. However, attire that significantly detracts from the dignity of the facility may result in denied entry. Wedding dresses, military-style uniforms, and similar costumes are not permitted. Security screening similar to airport-level checks (including bag inspection and metal detectors) is conducted at the entrance, so minimizing your belongings is recommended.
QIs the palace open year-round?
AThe palace is open to the public on most days except Wednesdays and when official state functions are being held. Since the schedule can change on short notice due to diplomatic events, it is strongly recommended to check the official public opening calendar on the day of your intended visit. Opening hours are generally from 10:00 AM to 5:00 PM, with last admission at 4:00 PM.

Basic Information

Official Name State Guest House, Akasaka Palace (Former Tōgū Palace / 旧東宮御所(迎賓館赤坂離宮))
Cultural Designation National Treasure (designated December 8, 2009)
Architect Katayama Tōkuma (original, 1909); Murano Tōgo (major renovation, 1974)
Architectural Style Neo-Baroque
Completed 1909 (Meiji 42)
Structure Steel-reinforced brick and stone, 2 stories above ground, 1 basement level
Floor Area Approximately 15,355 m²
Site Area Approximately 117,000 m² (about 35,700 tsubo)
Owner Cabinet Office, Government of Japan
Address 2-1-1 Moto-Akasaka, Minato-ku, Tokyo 107-0051, Japan
Admission (Main Building + Garden) Adults: ¥1,500 / University Students: ¥1,000 / Junior & Senior High School: ¥500 / Elementary and under: Free
Admission (with Japanese-Style Annex) Adults: ¥2,000 / University Students: ¥1,500 / Junior & Senior High School: ¥700
Opening Hours 10:00–17:00 (last admission 16:00); closed Wednesdays and during official functions
Access 7-minute walk from JR Yotsuya Station (Akasaka Exit) or Tokyo Metro Yotsuya Station (Marunouchi/Namboku Lines)
Official Website https://www.geihinkan.go.jp/en/akasaka/

References

About the State Guest House, Akasaka Palace – Cabinet Office
https://www.geihinkan.go.jp/akasaka/about/
History of the State Guest House – Cabinet Office
https://www.geihinkan.go.jp/akasaka/history/
State Guest House Akasaka Palace – Japan National Tourism Organization
https://www.japan.travel/en/spot/2362/
State Guest House Akasaka Palace – GO TOKYO (Official Tokyo Travel Guide)
https://www.gotokyo.org/en/spot/1695/index.html
Akasaka Palace – Wikipedia
https://en.wikipedia.org/wiki/Akasaka_Palace
Akasaka Palace Visitor Information – Cabinet Office
https://www.geihinkan.go.jp/en/akasaka/visit/
迎賓館赤坂離宮にみる和と洋の文化・芸術的調和への評価 – 京都芸術大学
https://g.kyoto-art.ac.jp/reports/6579/
迎賓館赤坂離宮 – NOVARE Archives 清水建設歴史資料館
https://www.shimzarchives.jp/heritage/heritage_664/

Last verified: 2026.03.03