Nineteen Square Metres East of the Main Hall

The Shinsenjo of Kanda Shrine (神田神社神饌所, Kanda Jinja Shinsenjo, at the shrine widely known as Kanda Myojin / 神田明神) is a single-storey building of 1934 standing east of the main hall in Sotokanda 2-chome, Chiyoda Ward, Tokyo, and it was entered on Japan's national register of Tangible Cultural Properties on 19 September 2003. It covers 19 square metres.

A shinsenjo is where shinsen, the food offered to the deities, is prepared and held before ritual. Rice, salt, water, sake, fish, vegetables and fruit are arranged on stands here and carried out to the altar. Every shrine of any size needs such a room. Very few build one that looks like this.

The plan runs two bays each way. Above it sits an irimoya, or hip-and-gable, roof, sheathed in copper plate that has been worked to imitate the profile of clay tiles. Under the eaves the rafters are doubled and set close together, the arrangement called futanoki shigedaruki, which is normally reserved for buildings people are meant to look at. A projecting bay extends on the east side. Inside, the floor is laid in planed boards, with a sunken earthen entry step in the southeast corner.

What the building is made of matters as much as its shape. The frame is steel-reinforced concrete.

Concrete, 1934, and Why It Was Registered

To understand the registration you have to go back to 1 September 1923. The Great Kanto Earthquake and the fires that followed destroyed the shrine buildings that had stood here since 1782. Kanda Myojin had been the tutelary shrine of Edo, patronised by the Tokugawa shoguns; its rebuilding was a public question, not merely a parish one.

The answer arrived in 1934 in a material almost no Japanese shrine had used. The new complex was built in steel-reinforced concrete and finished in vermilion lacquer throughout, laid out in the gongen-zukuri form that links the main hall, offering hall and worship hall under connected roofs, with the shinsenjo and the treasury tucked in among them. Ito Chuta acted as consulting architect; Oe Shintaro and Sato Koichi handled the design. Concrete temples and shrines became common after 1945, when cities had to rebuild fast. Before the war they were rare, and clustered in the Tokyo area precisely because that was where the earthquake had struck.

Eight structures from this 1934 campaign were registered together: the main hall, offering hall, worship hall, shinsenjo, sacred fence, treasury, west gate and east gate. The Agency for Cultural Affairs applied the criterion for structures that set a standard in design. The registration date is recorded as 19 September 2003, with gazette notification on 17 October the same year; the shrine ties the date to the four hundredth anniversary of the founding of the Edo shogunate.

For the shinsenjo specifically, the assessment notes something that repays a close look: although small, it stands on a high stone platform, is lacquered in the same red-ochre bengara tone as the principal halls, and carries gold-leafed metal fittings at points around the structure. A utility building was given the finish of a sanctuary.

Finding It in the Precinct

Most visitors to Kanda Myojin come up the steps, pass through the vermilion Zuishinmon gate, and go straight to the worship hall to pray. The shinsenjo is off to the right of that route, on the east flank of the main sanctuary, behind the east gate and the sacred fence. From the open ground in front of the worship hall you can see its roofline; walk a little east and the projecting bay and the platform beneath come into view.

Two details reward patience. The first is the copper. Roofing that mimics clay tile in beaten metal was chosen partly for weight: the shrine's own guidebook explains that the roof structure was made in steel to reduce load, and the column spacing was tightened, so that a concrete building would read as a timber one. Look at the roof of the shinsenjo against the roof of the worship hall and the same trick is being played at two different scales.

The second is the colour. Bengara red-ochre lacquer over concrete has weathered differently from lacquer over wood, and after ninety years the surface has a depth that photographs flatten. The gold fittings catch light at the corners.

The precinct is open and free to enter, with no ticket or set closing hour for the outer grounds; the shinsenjo is a working ritual building and is not open inside. Photography in the precinct is generally accepted, though during ceremonies visitors are asked to hold off, and the shrine office can advise. Getting here is easy: five minutes on foot from JR Ochanomizu station (Hijiribashi exit) on the Chuo and Sobu lines, seven minutes from Akihabara station (Electric Town exit) on the Yamanote and Keihin-Tohoku lines, and five minutes from Suehirocho on the Tokyo Metro Ginza Line. If you can time a visit to mid-May in an odd-numbered year, the Kanda Festival runs then, held every second year and counted among the three great festivals of Edo, and the shinsenjo is doing the job it was built for.

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Q&A

QWhat is the Shinsenjo of Kanda Shrine used for?
AIt is the building where shinsen, the food and drink offered to the deities, is prepared and kept before a ritual. Rice, salt, water, sake, seafood, vegetables and fruit are arranged here and then carried to the altar. The interior has a planed board floor with a sunken earthen step in the southeast corner for entry.
QCan visitors go inside the Shinsenjo of Kanda Shrine?
ANo. It remains in active ritual use and the interior is closed to the public. The exterior can be viewed from the precinct, on the east side of the main sanctuary behind the east gate. The grounds themselves are open without charge and without a fixed closing time.
QHow do I get to Kanda Shrine (Kanda Myojin) and where is the Shinsenjo within the grounds?
AFrom JR Ochanomizu station take the Hijiribashi exit, about five minutes on foot; from JR Akihabara station take the Electric Town exit, about seven minutes; Suehirocho on the Tokyo Metro Ginza Line is also about five minutes. Once inside, face the worship hall and look to your right: the shinsenjo stands east of the main hall, beyond the east gate and the sacred fence.
QWhen was the Shinsenjo of Kanda Shrine registered, and what else was registered with it?
AThe registration date recorded by the Agency for Cultural Affairs is 19 September 2003, gazetted on 17 October 2003, under registration number 13-0152. Seven other structures from the same 1934 rebuilding were registered at the same time: the main hall, offering hall, worship hall, sacred fence, treasury, west gate and east gate.
QIs the Shinsenjo of Kanda Shrine really made of concrete?
AYes. Like the rest of the 1934 complex it is steel-reinforced concrete, roofed in copper plate shaped to resemble clay tiles. The shrine has explained that a steel roof frame reduced the load and column spacing was narrowed, so that the building would read as traditional timber construction. Kanda Myojin is one of the earliest and best-known examples of a Japanese shrine built in this material.
QIs the Shinsenjo of Kanda Shrine a National Treasure or an Important Cultural Property?
ANeither. It holds the status of Registered Tangible Cultural Property (登録有形文化財), a notification-based system that is separate from and lighter than Important Cultural Property (重要文化財) or National Treasure (国宝) designation, both of which operate by permit. The three tiers should not be confused with one another.

Basic Information

NameKanda Jinja Shinsenjo / 神田神社神饌所(かんだじんじゃしんせんじょ)
Location2-16-2 Sotokanda, Chiyoda Ward, Tokyo
DesignationRegistered Tangible Cultural Property (Structure), registration no. 13-0152; criterion: sets a standard in design
Year DesignatedRegistered 19 September 2003; gazetted 17 October 2003 (38th registration round)
Quantity1 building
DimensionsSteel-reinforced concrete, single storey; copper-plate roof in clay-tile profile; building area 19 square metres; two bays by two bays, hip-and-gable roof, projecting bay on the east
OwnerKanda Shrine (religious corporation)
Public AccessExterior visible from the precinct, which is open and free of charge; interior closed

References

National Cultural Properties Database, Agency for Cultural Affairs
https://kunishitei.bunka.go.jp/heritage/detail/101/00003521
Cultural Heritage Online: Kanda Jinja Shinsenjo
https://online.bunka.go.jp/heritages/detail/140791
Cultural Heritage Online: Kanda Jinja Honden (main hall, same 1934 campaign)
https://online.bunka.go.jp/heritages/detail/139288
Kanda Myojin official site
https://www.kandamyoujin.or.jp/
Kanda Myojin official site: access
https://www.kandamyoujin.or.jp/access/

Last verified: 2026.08.22