A Workshop Built in 1957 for a Trade With Eight Years Left

The Former Rush Products Workshop (旧藺製品作業場, Kyū I-seihin Sagyōba) is a two-storey timber building of 1957 at Asahihonmachi in Himi City, Toyama Prefecture, entered on Japan's register of Tangible Cultural Properties as a building on 14 October 2021.

It is small. The footprint runs to 86 square metres, less than half that of the earthen warehouse it adjoins, and part of the plan is single-storey. The roof is gabled and laid with sangawara pantiles. The building turns its gable end to the road on the west, an entry arrangement Japanese carpentry calls tsumairi, and the outer walls are finished in horizontal weatherboarding. On that west face are a doorway and a ventilation opening. Inside, one room fills the ground floor and two more sit above.

The reason for building it was demand. Himi had grown and processed rush, igusa in Japanese, since the Edo period, weaving the dried stalks into tatami omote mat facings, goza floor mats and mushiro matting. Through the decade after the war the trade ran hot, and the Himi Rush Products Federation, which by then owned the two former bank warehouses beside the Minatogawa, found its storage space doing double duty as a work floor. In 1957 the Federation put up a purpose-made building that combined production space with storage.

The timing carries an edge to it. Local accounts place the end of rush growing in the Himi district at around 1965. The workshop had perhaps eight working years before the industry it was built for went away.

How the Workshop Reads Against Its Neighbours

Three buildings stand together on this stretch of the Minatogawa's left bank, and the Agency for Cultural Affairs registered all three on the same day: the city-owned Minatogawa Warehouse, the Former Rush Products Warehouse, and this workshop. They were the first buildings anywhere in Himi City to reach the register.

The registration criterion applied here is the first of three used in the system, contribution to the historic landscape of the country. Registration itself, introduced in 1996, is a lighter instrument than designation as an Important Cultural Property. It marks a building as worth keeping while leaving the owner free to adapt and use it, which suits a working structure of this kind better than a preservation order would.

Set beside its neighbours the workshop looks like the poor relation, and that is the interesting part. The two warehouses are dozō, thick mud packed over timber and plastered, expensive to build and slow to raise. The workshop is ordinary post-war carpentry: a light timber frame, boarded walls, a tile roof. It was thrown up quickly because the market would not wait.

The connection between them is physical. The workshop's ground floor opens directly into the tomae, the projecting entrance vestibule of the warehouse next door. Finished goods could pass from the work floor into storage without crossing open ground, and stock could come back the other way. Three decades of different construction, one continuous circulation.

Details Worth Slowing Down For

The ventilation opening on the west wall repays a moment. Woven rush mildews readily, and a room full of stacked tatami omote in a Toyama summer would have needed air moving through it. Placing the vent on the road side, above the doorway, gave the ground floor a cross-draught without opening the building to weather off the river.

Look at the weatherboarding too. Both the workshop and the river-facing wall of the neighbouring warehouse use it, for the same reason: boards are cheap to replace, and on the Hokuriku coast, where winter arrives sideways, something has to be.

The upstairs plan divides into two rooms rather than one. What each held is not recorded in the registration file, and it would be guesswork to say.

Both buildings were repaired in 2017, four years before registration, as the local association preparing to reuse them worked through the interiors. Then the Noto Peninsula earthquake struck on 1 January 2024, shaking Himi at a Japanese seismic intensity of 5-plus. The warehouse group took real damage: split stones at the old boat landing, cracked foundations, earthen wall falling away, a harmed roof frame. Inspectors from the Agency for Cultural Affairs came in February, and repair has been pursued through public fundraising since.

For visitors, this means the group is currently something to look at rather than something to enter. The buildings sit about 700 metres from JR Himi Station, roughly a ten-minute walk, at the north end of the Minatogawa Riverwalk promenade that threads the town centre. The workshop's west face, the one with the door and the vent, stands directly on the road and can be seen and photographed at any hour without permission or payment. To get inside, write ahead to on the Minatogawa, the general incorporated association that owns both the workshop and the warehouse, or ask at the Himi City Museum.

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Q&A

QWhat was the Former Rush Products Workshop in Himi actually used for?
AIt was built in 1957 by the Himi Rush Products Federation as a combined production and storage building. Workers here handled igusa rush goods, chiefly tatami omote mat facings and goza mats, which were then moved into the adjoining warehouse for collection and shipment.
QCan visitors go inside the Former Rush Products Workshop?
ANot without arrangement. The building group was damaged in the January 2024 Noto Peninsula earthquake and the interiors have been closed while repairs proceed. The west elevation faces the public road and can be viewed and photographed freely. Enquire with the owner association, on the Minatogawa, or the Himi City Museum for the current position.
QWhere is the Former Rush Products Workshop and how do you get there?
AThe address is 907-7 Asahihonmachi, Himi City, Toyama Prefecture. From JR Himi Station, the terminus of the Himi Line, it is around 700 metres on foot, some ten minutes, heading toward the left bank of the Minatogawa. There is no visitor car park at the site itself.
QWhy is a 1957 workshop registered as a cultural property at all?
ARegistration under Japan's 1996 system turns on a building's contribution to the historic landscape, not on its age or architectural rarity. The workshop was registered with the two neighbouring warehouses as a group that records how Himi produced and shipped rush goods along the Minatogawa. All three were the first registered buildings in the city.
QHow is the Former Rush Products Workshop different from the warehouse beside it?
AThe warehouse dates from the late Taisho period and is dozō construction, thick earthen walls over a timber frame, covering 192 square metres. The workshop is a light timber structure of 1957 with boarded walls, covering 86 square metres. Its ground floor connects straight into the warehouse's entrance vestibule.

Basic Information

NameFormer Rush Products Workshop (旧藺製品作業場, Kyū I-seihin Sagyōba)
Location907-7 Asahihonmachi, Himi City, Toyama Prefecture
DesignationRegistered Tangible Cultural Property (Building), registration number 16-0156
Year DesignatedRegistered 14 October 2021
Quantity1 building
DimensionsTimber, two storeys with a single-storey section, tiled roof; building area 86 square metres
Owneron the Minatogawa (general incorporated association)
Public AccessWest elevation visible from the public road at any time. Interior closed since the January 2024 earthquake; enquire with the owner association or Himi City Museum.

References

National Cultural Properties Database, Agency for Cultural Affairs — Kyu I-seihin Sagyoba
https://kunishitei.bunka.go.jp/heritage/detail/101/00013984
Cultural Heritage Online — Kyu I-seihin Sagyoba
https://online.bunka.go.jp/heritages/detail/520134
Himi City — Minatogawa Warehouse, Former Rush Products Warehouse and Workshop
https://www.city.himi.toyama.jp/gyosei/soshiki/hakubutsukan/bunkazai/7675.html
Cultural Heritage of Toyama — Kyu I-seihin Sagyoba
https://toyama-bunkaisan.jp/search/5536/
Cultural Heritage Online — Kyu I-seihin Soko
https://online.bunka.go.jp/heritages/detail/587163

Last verified: 2026.08.24