Registered Tangible Cultural Properties of Niigata

South of the strolling garden, on the path between the tea houses, Ihanoya is a tiny building of the late 1940s, just eight square metres, and a garden accent.

A two-story kura of 1887 on the estate's west side, linked by corridor to the main house, with white-plastered walls, kannon doors and a partitioned interior.

South of the main house, this 1889 reception hall opens onto a 32-mat room and a long veranda facing the strolling garden, famous for its autumn colour.

In the northeast of the grounds, this late-Edo farmhouse moved from Kashiwazaki, with a thatched three-room plan and earthen floors, is the oldest here.

North of the main house, this 1883 building was raised to mill timber for the estate itself; 18 metres long under a gabled roof, it now serves as the shop.

On the western edge of the Dairo-an precinct, this early-Showa storehouse is long and narrow, with tall columns raising a high interior for storing provisions.

On a rise at the southwest corner, this late-1940s sukiya tea house faces Sado Island, designed by garden master Tanaka Taiami with fine interior beamwork.

A study and tea room of 1891 designed by the head Ito Bunkichi himself, on a triangular plan nine metres a side, with rooms and timber members cut to match.

Northwest of the main house, this 1901 storehouse was once a rice store and now the museum's gallery, with a cut-stone plinth, namako walls and a trussed roof.

The residential core of the former Ito estate, completed in 1887 and now the heart of the Northern Culture Museum, with a 30-metre Aizu cedar beam overhead.

At the quiet western rear of the estate, this sukiya-influenced parlor of 1889 uses fine timber and soft sand-plaster walls, a gentler note than the main house.

Southeast of the Great Hall, this L-shaped tea house of 1950 joins a thatched grass-hut wing and a tiled shoin wing, by Tanaka Taiami facing the garden.

At the estate's northern edge, this 1883 workshop, where carpenters built and repaired the buildings, is a rare surviving construction facility with tall posts.

On the north of the grounds, this 1927 two-story house with a lookout tower was a branch family's home, its tall storeys marking a regional Showa residence.

Along the south wall at the estate front, this small early-Showa kura kept the Ito family's valuables, built solid with white plaster over a namako base.

The Main Hall of Honkō-ji Temple in Sawane Kagomachi, Sado City, Niigata Prefecture, is a late Edo-period Jōdo Shinshū Buddhist hall registered as a National Tangible Cultural Property in 2008. Preserving a standard True Pure Land temple layout with refined bracket complexes and carved transoms, it stands as a testament to the craftsmanship that flourished on Sado Island during the gold mining era.

Discover the Omote Genkan of Honjō-ji in Sanjō, Niigata — a registered tangible cultural property. Built around 1895, this ceremonial entrance with its triple-pendant karahafu gable links the temple's main halls and reflects Meiji-era craftsmanship in a centuries-old Hokke-shū sanctuary.

The Kyakuden (Guest Hall) of Honjoji Temple, the head temple of the Hokke-shū Jinmon-ryū sect in Sanjo City, Niigata, is a grand single-story wooden structure built in 1895. Registered as a National Tangible Cultural Property in 2021, it is celebrated for its expansive open interior and elegant hip-and-gable roof, exemplifying the finest Meiji-era temple architecture.

The Kuri (Kitchen Hall) of Honjo-ji Temple in Sanjo City, Niigata Prefecture, is a National Registered Tangible Cultural Property rebuilt in 1895. This imposing 567-square-meter wooden structure serves as the domestic and administrative heart of the head temple of the Hokke-shu Jinmon-ryu Buddhist sect. Its central hearth room features the remarkable "married couple pillars," salvaged and re-hewn from the former main hall destroyed by fire. The temple is also renowned for its connection to master sculptor Ishikawa Uncho and its spectacular Setsubun Oni Odori demon dance.

The Daishoin at Honjo-ji Temple in Sanjo City, Niigata Prefecture, is a National Registered Tangible Cultural Property built around 1899. This elegant reception hall features refined tatami rooms with snow-country design adaptations, connected to the Guest Hall by a distinctive drum bridge. The temple is also renowned for its association with sculptor Ishikawa Uncho and its spectacular Setsubun demon dance.