Registered Tangible Cultural Properties of Kyoto

An ink inscription inside this 20-square-metre storehouse in Kyoto records a ridge-raising in 1940, supplying the only firm date for the Yamamoto property.

Built in 1942 so the Konoe archive could be examined properly: a 393 m2 sukiya villa with the tea room Tekian, and the one Yomei Bunko building visitors enter.

The plainest of Yomei Bunko's four registered buildings, and the one that works: a 159 m2 wooden office with entrance lattice and a fireplace chimney.

Konoe Fumimaro raised this 73 m2 vault in 1938, before founding the archive itself: reinforced concrete disguised as a merchant's storehouse, lifted off the damp ground.

Two years after the First Repository, wartime shortages forced this 1940 vault to give up its raised floor. Its upper storey is where the treasures are shown.

Rakushisha is a thatched-roof hermitage in the Sagano district of Kyoto, originally the retreat of Mukai Kyorai, a leading disciple of the great haiku master Matsuo Basho. Designated as a nationally Registered Tangible Cultural Property, this humble cottage is celebrated as the place where Basho composed his masterpiece Saga Nikki and is counted among Japan's Three Great Haikai Training Halls.

Rakurakuso Nihonkan is railway magnate Tanaka Gentaro's 1898 shoin hall in Kameoka, with master and wife rooms showing peak Meiji carpentry above Ueji's pond garden.

The Rakurakuso Western-Style Building in Kameoka, Kyoto Prefecture, was completed around 1898 by Shimizu-gumi as the residence of industrialist and Kyoto Railway founder Tanaka Gentaro. This two-story brick mansion, listed as a National Registered Tangible Cultural Property, features distinctive verandas on its east and south façades and richly varied interiors where each room boasts a different fireplace and floor design — a rare and remarkably complete example of late-Meiji domestic architecture, surviving alongside its companion Japanese Hall, Entrance, and a celebrated stroll garden by Ogawa Jihei VII.

Standing along Kyoto's celebrated Philosopher's Path near Ginkaku-ji, Restaurant Noa Noa occupies the former Western-style annex of the residence of Hashimoto Kansetsu (1883–1945), one of the leading Japanese-style painters of the Taisho and early Showa eras. Designed by Kansetsu himself and built around 1929 within his sprawling Hakusasonso estate, the modest two-storey reinforced-concrete building was conceived as a place to display his collection of Western antiquities. Its Spanish-style façade — graced with subtly Japanese rafter-shaped detailing on the entrance eaves — embodies a distinctive current of early-Showa residential design, and the property was registered as a Tangible Cultural Property of Japan in 2005. Now serving European cuisine in the painter's original interiors and a leafy garden setting, Noa Noa offers visitors a uniquely atmospheric way to encounter a registered cultural property in the heart of eastern Kyoto.

Standing at the eastern foot of Shijo-ohashi Bridge, directly across from the historic Minamiza kabuki theater, Restaurant Kikusui has been a pioneer of Western cuisine in Kyoto since 1916. Its striking 1926 reinforced-concrete building, designed in an Expressionist style with Art Deco and Spanish accents and crowned by an iconic parabolic elevator tower, was registered as a Tangible Cultural Property of Japan in 1997 and remains a beloved Taisho-era landmark of Gion.

Waka-no-yu, founded in 1903 and rebuilt in 1923 in West Maizuru's Hiranoya arcade, is a Western-style public bathhouse registered in 2018 as a national Tangible Cultural Property. Soak in soft water drawn from the same source as Manai-no-shimizu (one of Japan's Heisei 100 Famous Waters), heated by firewood, while admiring hand-painted Mount Fuji murals by one of the country's last sento muralists.

On Shinmachi-dōri south of Nishi Hongan-ji, this Meiji-era machiya pairs three lattice patterns on its façade with an inner courtyard. Registered in 2008.

Discover the 2,653-piece archive at Kyoto University's Katsura Campus — a living witness to how Japan first learned to teach architecture. Curated by Takeda Goichi, the 'father of Kansai architecture,' this Registered Tangible Cultural Property includes a plaster model of Frank Lloyd Wright's Imperial Hotel, scale models of ancient temples, and the renowned Josiah Conder drawings.

Kyoto’s registered properties across designations, with featured heritage and travel notes.

The complete kokuhō catalogue — browse by prefecture, period, and category.

Nationwide jūyō bunkazai — architecture, sculpture, painting, crafts, and documents.