Kamakura

At Tō-ji, the Twelve Devas appear not as separate scrolls but across a pair of six-panel folding screens, painted on silk in 1191 and attributed to Takuma Shōga.

A National Treasure six-panel screen at Jingo-ji near Kyoto, painted about 1200 for the Shingon kanjo rite. Its native yamato-e landscape is the oldest to survive.

A National Treasure portrait at Jingo-ji, traditionally Taira no Shigemori but possibly the shogun Ashikaga Takauji. Its sitter and date are still debated.

One of the Jingo-ji Three Portraits, a National Treasure traditionally called Fujiwara no Mitsuyoshi, though the sitter may instead be Ashikaga shogun Yoshiakira.

The Kamakura portrait at Jingoji, Kyoto, traditionally of Minamoto no Yoritomo and attributed to Fujiwara no Takanobu, a National Treasure since 1951.

Discover Daigo-ji's National Treasure painting of Manjushri descending from Mount Wutai on a lion, a masterpiece of Kamakura-period Buddhist art depicting the Bodhisattva of Wisdom with four attendants crossing cloud and sea.

A National Treasure at Kyoto's Zenrin-ji: Amida rises over the mountains, and five colored cords once tied to his hand were held by the dying to reach the Pure Land.

Two Southern Song ink landscapes attributed to Li Tang at Kotoin, Daitokuji, Kyoto, a National Treasure since 1952; the temple is closed in 2026.

Discover Muqi's "Kannon, Monkeys and Cranes" — a 13th-century Southern Song masterpiece and one of Japan's most revered National Treasures, held at Daitoku-ji in Kyoto. A cornerstone of the Ashikaga shogunate's Higashiyama Gyomotsu collection, this three-scroll ink painting will be a headline exhibit at the Tokyo National Museum's 2026 Daitoku-ji 700th anniversary exhibition.

Housed at Daitoku-ji in Kyoto, this National Treasure is a thirteenth-century hanging scroll by the Chinese Chan Buddhist monk-painter Muqi, depicting the White-Robed Kannon in ink and light color on silk. Once part of the Ashikaga shogunate's Higashiyama Gomotsu collection and bearing Yoshimitsu's Doyu seal, it forms the central panel of the famed Kannon, Gibbons, and Crane triptych and stands as a foundational model for Japanese ink painting. A full guide to its history, artistic significance, viewing opportunities, and access to Daitoku-ji.

Discover the Important Cultural Property 'Imperial Handwriting of Emperor Go-Uda: Siddham Inshin Kuketsu (2 vols.) and Siddham Inshin Mon (5 vols.)' at Daikaku-ji Temple in Sagano, Kyoto. Personally brushed by Emperor Go-Uda after he took Buddhist vows and became the 23rd head abbot of Daikaku-ji, these seven manuscripts preserve the secret transmissions of Shingon esoteric Buddhism — including teachings written in the sacred Siddham (Sanskrit) script. Explore the calligraphic mastery of one of Japan's foremost imperial calligraphers, the rare interplay of Chinese characters and Indic letters, and practical visitor information for Daikaku-ji and the surrounding Sagano-Arashiyama district.

Discover the National Treasure 'Go-Uda Tennō Shinkan Otein Yuigō' at Daikaku-ji Temple in Kyoto — a handwritten testament by the 91st Emperor of Japan, bearing his vermillion hand print. Created in the 1320s, this remarkable scroll preserves the emperor's final wishes for the temple and Shingon Esoteric Buddhism, and stands as a masterpiece of imperial calligraphy.

Discover the National Treasure calligraphy by Emperor Go-Uda, a deeply personal biography of Kōbō Daishi written on silk in 1315, preserved at Daikaku-ji Temple in Kyoto's scenic Sagano district.

Discover the National Treasure shinkan (imperial handwritten document) by Emperor Go-Uda, written in 1308 to ensure the prosperity of Tō-ji Temple. Learn about this remarkable piece of Japanese calligraphy, the emperor's devotion to Shingon Buddhism, and how to visit Tō-ji in Kyoto.

Three autograph letters in which the cloistered Emperor Go-Uda begged the Daigo-ji master Kenjun to grant him the Sanboin esoteric lineage, now a National Treasure.

Daigo-ji's Godansho is a Kamakura copy of the recorded talk of the Heian scholar Oe no Masafusa, an early witness to a lost original. Designated in 1922.

This Echizen stoneware jar carries an incised date, the eighth month of 1306, a rare dated benchmark for medieval Japanese pottery, now at the Kyoto National Museum.

An Important Cultural Property at Ritsumeikan University: two bold characters reading Dankei, the Zen style name the monk Kokan Shiren conferred on his Dharma heir.

At Tofuku-ji in Kyoto, four scrolls hold Zen abbot Kokan Shiren's brush copy of Han Yu's Tang essay on learning, a Kamakura-period Important Cultural Property.

The Kokin Wakashū copied in 1305 by Reizei Tamesuke, grandson of Teika and founder of the Reizei poetic line. An Important Cultural Property at Kyoto's Yōmei Bunko.