Nara

Kyoto · 奈良

Browse Kyoto’s cultural heritage from the Nara period (710 – 794). Filter by type and keyword, with concise stories, maps, and travel tips.

260 total Kyoto Nara Period 710 – 794
Showing 1 – 20 of 260
Gilt-Bronze Funerary Urn of Ina no Omura
Kyoto 奈良
Gilt-Bronze Funerary Urn of Ina no Omura

A gilt bronze funerary urn found at Kashiba in Nara, now at the Kyoto National Museum. A sphere parting in two, inscribed inside the lid with 391 characters.

Shinso Senjimon (Thousand Character Classic in Regular and Cursive Script)
Kyoto 唐
Shinso Senjimon (Thousand Character Classic in Regular and Cursive Script)

A Chinese calligraphy album in Kyoto Prefecture, the Thousand Character Classic written twice in two scripts. The Agency leaves the maker field blank.

The Sixteen Arhats (Color on Silk)
Kyoto 北宋
The Sixteen Arhats (Color on Silk)

A Buddhist painting in sixteen scrolls owned by Seiryoji in Kyoto. The record gives its country as Song and its period as Northern Song, not as Japan.

Portrait of Wuzhun Shifan (Color on Silk)
Kyoto 南宋
Portrait of Wuzhun Shifan (Color on Silk)

A Southern Song painting on one scroll at Tofukuji, Kyoto, showing the full figure. It came down in a single box with a second scroll of the same title.

Taihi Tenmoku Tea Bowl
Kyoto 南宋
Taihi Tenmoku Tea Bowl

A Southern Song tea bowl held at Shokokuji in Kyoto Prefecture. On the inside, the pattern is formed exactly where the upper glaze was simply left off.

Meihoki
Kyoto 唐
Meihoki

Three Tang-dynasty scrolls at Kosanji in Kyoto Prefecture. The country field of the official record reads China here, and it does not read Japan at all.

Yohen Tenmoku Tea Bowl
Kyoto 南宋
Yohen Tenmoku Tea Bowl

A tea bowl held at Ryukoin in Kyoto Prefecture. Yet another bowl of the very same name is recorded there under a different system of listing altogether.

Soranjo, after the Original by Wang Xizhi
Tokyo 唐時代
Soranjo, after the Original by Wang Xizhi

A Tang-dynasty copy of a letter by Wang Xizhi, kept in Tokyo. Nothing at all in his own hand survives, and so the copy itself is now the treasure here.

Taga Castle Monument (December 1st, Tenpyo Hoji 6th Year)
Miyagi 奈良
Taga Castle Monument (December 1st, Tenpyo Hoji 6th Year)

The Taga Castle Monument records Taga Castle's founding in 724 and rebuilding in 762. Once doubted as a forgery, it became a National Treasure in 2024.

Gilt Bronze Epitaph of Ono no Emishi
Kyoto 奈良
Gilt Bronze Epitaph of Ono no Emishi

The gilt bronze epitaph of Ono no Emishi, son of the Sui envoy Ono no Imoko, found in 1613 and now at the Kyoto National Museum; a National Treasure since 1961.

Ink Written Southern Characters on Paper (including the
Kyoto 南宋
Ink Written Southern Characters on Paper (including the

Discover the Persian Manuscript in Japan, a remarkable 13th-century document brought from Song-dynasty Quanzhou by the monk Keisei. This Important Cultural Property contains Persian poetry and reveals the vibrant maritime Silk Road connections between medieval Japan, China, and Persia.

Stone Relief Triad Buddha Statue
Kyoto 唐
Stone Relief Triad Buddha Statue

Held privately in Kyoto, this Important Cultural Property is a stone Buddhist relief dated to Kaiyuan 12 (724 CE). One of the famed Baoqing Temple group that once adorned Empress Wu Zetian's Seven-Treasure Platform in Tang Chang'an, it represents the High Tang synthesis of Indian Gupta and Chinese sculptural traditions.

Wuerkaxuan Calligraphy〈Yomingzhi Visitor Story/Xianchun
Kyoto 南宋
Wuerkaxuan Calligraphy〈Yomingzhi Visitor Story/Xianchun

An Important Cultural Property of Japan held privately in Kyoto Prefecture. This hanging scroll is a Zen ink-trace (bokuseki) brushed in 1268 by the Southern Song Chan master Wu'er Kexuan (also known as Shiqiao Kexuan), giving a verse-poem to his disciple Ming, who served as the temple's head of guests. As a precisely dated late-Southern-Song original, it is a primary document of Sino-Japanese Zen exchange and an exemplar of the calligraphy that came to be revered as the highest form of hanging scroll in the Japanese tea ceremony.

Sentence Selection Theory
Kyoto 唐
Sentence Selection Theory

Preserved at the Kyoto National Museum, this manuscript carries the Benmeiron, or 'Discourse on Discriminating Fate,' from volume fifty-four of the Wen Xuan—the oldest surviving anthology of Chinese literature, compiled by Crown Prince Xiao Tong of the Liang dynasty. Reaching Japan by the Nara period and treasured by Heian-era aristocrats, manuscripts of the Wen Xuan reveal the deep cultural ties between Japan and continental East Asia. A meaningful destination for travelers drawn to classical Chinese thought, calligraphic beauty, and the literary world that shaped Japan's classical age.

Ohi (Side Stole)
Kyoto 唐
Ohi (Side Stole)

A Tang-dynasty stole of Toji, Kyoto, said to have come to Kukai from his teacher Huiguo, a National Treasure since 1953.

Major Book (1st Chapter 139 Leaves / 2nd Chapter 168 Leaves)
Kyoto 奈良~室町
Major Book (1st Chapter 139 Leaves / 2nd Chapter 168 Leaves)

The Ōte-kagami at Kyoto's Yōmei Bunko gathers 307 calligraphy fragments across two oversized albums, from a 20-line Ōjōmu sutra leaf to a hand by Emperor Saga.

Kyoudou Chigu Sumiyori〈Dharma Death Anniversary Poem〉
Kyoto 南宋
Kyoudou Chigu Sumiyori〈Dharma Death Anniversary Poem〉

Discover the National Treasure bokuseki calligraphy by Chinese Chan master Xutang Zhiyu, preserved at Daitoku-ji temple in Kyoto. Learn about its Zen heritage, tea ceremony significance, and how to view this masterpiece.

Yupian (Gyokuhen), Volume 27, First Half
Kyoto 唐
Yupian (Gyokuhen), Volume 27, First Half

A Tang manuscript of the Chinese dictionary Yupian at Kozanji, Kyoto, a National Treasure since 1952, lost in China and completed by the second half at Ishiyamadera.

Kenda Kokushi Kesa
Kyoto 唐
Kenda Kokushi Kesa

A Tang seven-panel kesa of Toji, Kyoto, said to have come to Kukai from Huiguo, a National Treasure since 1953, woven with layered clouds in tsuzure-ori.

Amida Triad (Color on Silk; by Puyue)
Kyoto 南宋
Amida Triad (Color on Silk; by Puyue)

A National Treasure of Shōjōke-in, Kyoto: a Southern Song Amida triad in three signed scrolls by the Ningbo painter Fuetsu, now held at the Kyoto National Museum.