Kamakura
Kyoto · 鎌倉Browse Kyoto’s cultural heritage from the Kamakura period (1185 – 1333). Filter by type and keyword, with concise stories, maps, and travel tips.
At Kyoto University, this 1241 manuscript holds the oldest surviving commentary on the Kokin Wakashu, Japan's first imperial anthology, by poet Fujiwara no Norinaga.
At Manshuin in Kyoto survive 73 sets of documents from the Kokin denju, the secret transmission of reading the Kokin Wakashu, prized in Japan's literary history.
Fujiwara no Teika's own 1226 copy of the Kokinshu, the original Karoku manuscript, kept by the Reizei family in Kyoto and a National Treasure since 1983.
Go-Saga's 1246 letter to a Ninna-ji abbot, thanking him for Buddhist rites, is the only verified autograph of the emperor and a Kamakura-period National Treasure.
Teika copied the Gosen Wakashu into one volume in 1234, aged 73. This Tenpuku-bon original, full of his own notes, is a National Treasure of Kyoto's Reizei family.
A National Treasure at Kyoto's Daitoku-ji: an autograph decree Emperor Go-Daigo wrote in 1333, fixing that only the founder's lineage could ever lead the temple.
Kyoto's Reizei family keeps the only Korai Futeisho in Fujiwara no Shunzei's own hand: the 1197 first version of his poetic treatise, written at eighty-four.
Discover the Diamond Sutra (Kongō-kyō) by Zhang Jizhi, a National Treasure of Japan housed at Chishaku-in Temple in Kyoto. This 1253 masterpiece of Southern Song calligraphy represents one of the finest examples of Chinese brushwork preserved in Japan.
Owned by the Reizei-ke Shiguretei Bunko Foundation in Kyoto and designated an Important Cultural Property, this set of six bound volumes preserves the private waka anthologies of six celebrated Heian poets—Sosei, Kanesuke, Muneyuki, Henjō, Takamitsu, and Komachi—copied onto luxurious karakami (Chinese-style decorated paper) printed with mica-shimmering arabesque patterns. Marginalia by Fujiwara no Teika confirm its role as a working reference for one of Japan's greatest poet-editors, making it a treasure that unites courtly aesthetics with the foundational history of Japanese poetry.
Two silk scrolls in the hand of Jikusen Bonsen, a Chan monk who left Yuan China in 1329, written for a Zen abbot's installation. Held at closed Ryoko-in in Kyoto.
The Kamakura portrait of Myoe meditating in a pine tree at Kozanji, Kyoto, attributed to his attendant Jonin, a National Treasure since 1952.
Discover the Shūi Gusō, the only known autograph self-compiled poetry anthology from medieval Japan, handwritten by the legendary poet Fujiwara no Teika. This National Treasure is preserved by the Reizei family in Kyoto.
Discover the Chunqiu Jingzhuan Jijie Volume 2 Fragment, a rare Tang dynasty manuscript and National Treasure housed at the Yūrinkan Museum in Kyoto. Learn about its history, significance, and how to visit.
Held at Ninnaji Temple in Kyoto, these five National Treasure scrolls preserve the Xinxiu Bencao — the world's first state-compiled pharmacopoeia, ordered by Emperor Gaozong of Tang China in 659 CE. Copied in early-Kamakura-period Japan, they are among the oldest surviving witnesses to this foundational text, whose original Chinese manuscripts have long since been lost.
This National Treasure at the Kyoto National Museum is the oldest surviving copy of the Chinese classic Shishuo Xinyu, in seventh-century Tang regular script.
Nineteen Southern Song plaque inscriptions sent by Wuzhun Shifan to Enni, now at Tofukuji, Kyoto, a National Treasure since 1974.
Shunjo wrote this 1219 appeal to fund Sennyu-ji's rebuilding. The National Treasure scroll bears Song-style running script on paper with auspicious birds.
Twelve Southern Song volumes at Kyoto's Tofuku-ji form the Gisho Rokujo, a 10th-century Buddhist encyclopedia and the only known Song printing of the text.
This National Treasure is a handscroll containing a preface written by Emperor Gaozong (1107–1187), the founder of China's Southern Song dynasty, for the collected literary works of his father, Emperor Huizong — the last ruler of the Northern Song. Penned in 1154, this exceptionally rare example of imperial calligraphy is both a masterwork of brush art and a poignant tribute from a son to a father lost in the upheaval of the Jingkang Incident. The scroll also bears colophons by renowned scholars including Hu Sanxing and Wen Zhengming, and is deposited at the Kyoto National Museum.
The objects, including silk internal organs, placed inside the Shaka statue Chonen brought from Song China to Seiryoji, Kyoto; a National Treasure since 1955.