Registered Tangible Cultural Properties of Tokyo

Discover Gallery ef Kura, a Registered Tangible Cultural Property in Asakusa, Tokyo. Built in 1868 as a timber merchant's storehouse, this remarkable dozo survived the Great Kanto Earthquake and WWII air raids, later reborn as an art gallery and cultural exchange space.

On Tokyo's Niijima, this 8.4-square-metre Taisho outbuilding holds a stone cooking hearth and a bath, its walls and roof cut from island pumice. Registered 2024.

Standing quietly within Bunko-no-Mori Park in Shinagawa Ward, Tokyo, the Former Mitsui Bunko Second Library is a Registered National Tangible Cultural Property completed in 1922. Recognized as one of Japan's oldest surviving wall-bearing reinforced concrete buildings, it was crafted with cutting-edge techniques to safeguard the Mitsui family's historical archives. Visitors can admire its imitation-tile facade, distinctive checkerboard windows, and a story of resilience that includes surviving the Great Kantō Earthquake, all set in a tranquil green park.

Built in 1932 at a Showa-dori corner in Ginza, the former Miyawaki Building packs three concrete storeys into 45 square metres on a trapezoid plan. Registered 2025.

The Former Mushakoji Saneatsu Residence in Chofu City, Tokyo, was built in 1955 for the novelist. Heavy mortar outside, light sukiya within. Open at weekends.

The Former Ministry of Education Building in Chiyoda City, Tokyo, dates from 1932 and survives inside a later high-rise. Scratch tile, large near-square windows.

A 1927 concrete villa in Kudankita, Tokyo, pairing Naito Tachu's 24cm load-bearing walls with Kigo Shichiro's Spanish detail. Registered in 2018; now kudan house.

A 1933 concrete boundary in Kudankita, Tokyo: a 4.1m tiled gate and 61m of wall with garage, matching the Yamaguchi mansion behind. Registered in 2018.

A timber kura of c.1884 in Higashiyamato, Tokyo, later rendered to mimic cut stone. Its oki-yane roof, iron fire doors, and the atelier Yoshioka Kenji never built.

A mid-Meiji farmhouse in Higashiyamato, Tokyo, that the painter Yoshioka Kenji reshaped over 46 years: a 35.5 cm pillar, kumiko transoms, an earth-floor atelier.

Just 1.8 m wide, this inner gate once stood at the street and was moved in 1962. On its mukuri roof, the courtyard it frames, and a conflict between sources.

The 1962 nagayamon of the former Yoshioka residence, assembled from salvaged timber: eight nyubyo studs, 150 Tokyo tramway setts, a hand-painted nameplate.

In Ome, Tokyo, the main house of Sōshidō is a Meiji silk-farm dwelling that the novelist Yoshikawa Eiji redesigned himself around 1948, writing beside its garden.

In Ome, Tokyo, the storehouse of Sōshidō dates to 1847, the oldest on the grounds. Its ridge tag names it the wind-gate storehouse, set at the southeast corner.

In Ome, Tokyo, the nagayamon gate of Sōshidō is a late-Edo farmhouse entrance. Its wings sheltered wartime evacuees; later Yoshikawa Eiji used them to store books.

In Ome, Tokyo, the Western annex of Sōshidō held Yoshikawa Eiji's study. Built in late Meiji, it gathers materials from across Japan, from Seto tile to Ōya stone.

Kyoshoji Temple Guest Hall in Ikenohata, Tokyo, is a 1903 two-storey timber building whose wide east corridor was placed to command the view over Shinobazu Pond.

Kyoshoji Temple Main Hall in Ikenohata, Tokyo, is an 1857 Jodo Shinshu hall built in fireproof dozo plaster construction, registered as a Cultural Property in 2010.

The Kiyokawa Shop in Nihonbashi Koamicho, Chuo-ku, Tokyo, is the premises of Unagi Kiyokawa, a prestigious eel restaurant founded in 1874 during the Meiji era. The two-story wooden building, constructed in 1927 in the refined sukiya architectural style after the Great Kanto Earthquake, was registered as a National Registered Tangible Cultural Property in 2018 as an exceptionally rare example of traditional wooden architecture surviving in central Tokyo. Beloved by literary giants including Tanizaki Junichiro and Watanabe Junichi, the restaurant continues to serve authentic Edo-style grilled eel prepared with a secret sauce that has been continuously replenished since its founding.

The Friends Center in Mita, Minato Ward, Tokyo, is a two-story wooden missionary residence designed by the Vories Architectural Office in 1922. As one of the very few pre-Great Kanto Earthquake Western-style buildings still standing in Tokyo, it was registered as a Tangible Cultural Property of Japan in 2005. The building preserves distinctive Taisho-era architectural features including a slate hip roof, brick chimney, and tall sash windows.

Tokyo’s registered properties across designations, with featured heritage and travel notes.

The complete kokuhō catalogue — browse by prefecture, period, and category.

Nationwide jūyō bunkazai — architecture, sculpture, painting, crafts, and documents.