Heian

Fujiwara no Kintō's Hokuzanshō guided Heian court ritual. The Maeda Ikutokukai's National Treasure copy, twelve scrolls, is attributed to Fujiwara no Korefusa.

A complete ten-scroll Heian Lotus Sutra, the Sensōji-kyō keeps its gold-flecked paper, inlaid axles, and woven cords intact, now held at the Tokyo National Museum.

Two Kunoji-kyo scrolls at the Gotoh Museum: a Heian decorated Lotus Sutra written one chapter per person by Retired Emperor Toba's court circle around 1141.

Three Kunoji-kyo scrolls at the Tokyo National Museum, a gold-strewn Heian sutra copied by court nobles, ranked Important Cultural Property, not National Treasure.

This 11th-century National Treasure, kept for centuries at Chikubushima on Lake Biwa, copies the Lotus Sutra over paper drawn with gold-and-silver birds and flowers.

A bokuseki scroll at the Tokyo National Museum: a verse brushed by the Southern Song Zen monk Beijian Jujian in a Suzhou pavilion in 1229, an early tea scroll.

Chinese poems and prose by Fujiwara no Tadamichi, the late-Heian chancellor. Copied in 1183 as war neared Kyoto, this early album is a key witness to his writing.

Preserved at Waseda University Library in Tokyo's Shinjuku Ward, this National Treasure is the sole surviving volume of a lost 100-volume Chinese Confucian commentary. A Tang-dynasty handscroll that reached Japan in the Nara period, it bears the personal library seal of Empress Kōmyō. Discover its extraordinary journey, scholarly importance, and how to experience it today.

Held at the Sonkeikaku Bunko in Tokyo, this National Treasure comprises four late-Heian manuscripts of the Ruijū Kokushi—Sugawara no Michizane's 205-volume classified history completed in 892 under Emperor Uda. Covering auspicious omens, earthquakes, and Buddhist rites, they are vital for reconstructing the lost Nihon Kōki and for modern earthquake research.

The Gotoh Museum in Setagaya, Tokyo, preserves the National Treasure 'Six Patriarch Shouldering a Pole,' a thirteenth-century Southern Song ink painting bearing the seal of the painter Chokuō. Rendered in the delicate mōryōga style with washes of pale ink and selective accents of dark ink, the scroll depicts Huineng, the Sixth Patriarch of Chan Buddhism, at the life-changing moment he hears the Diamond Sutra. An inscription by Chan master Enkei Kōmon dates the work with unusual precision. Discover the history, artistic value, and visiting information for this masterpiece.

Held by the Nezu Museum in Tokyo's Minami-Aoyama district, Fishing Village at Sunset (attributed to Muqi) is a National Treasure and one of the supreme achievements of Southern Song ink painting. A scene from the famous Eight Views of the Xiao and Xiang Rivers, it bears the seal of Shogun Ashikaga Yoshimitsu and is exhibited only rarely, every few years.

Discover the National Treasure 'Silk-Painted Image of the Eleven-Headed Kannon' at Nara National Museum — a 12th-century Heian-period masterpiece on silk. As one of Japan's oldest surviving silk paintings of this form of Kannon, it features an unusually naturalistic three-quarter pose, exquisite cut-gold-leaf (kirikane) decoration, and motifs newly introduced from Song-dynasty China. This guide covers the painting's iconography, history, and how to plan your visit to the museum in Nara Park.

Housed at the Nara National Museum, the Gyūhi Keman are a set of thirteen fan-shaped Buddhist pendant garlands of ox-hide, cut in openwork and painted on both faces with kalavinka and hōsōge arabesques. Originally preserved at Tō-ji Temple in Kyoto, they date to the 11th century and are the oldest surviving leather keman of this form in Japan.

Discover the Lotus Arabesque Maki-e Sutra Box, a National Treasure from the late Heian period housed at Nara National Museum. Crafted in the exceptionally rare lacquered-leather (shippi) technique and adorned with togidashi maki-e, this elegant container once preserved decorated sutras at Jingū-ji in Fukui.