Edo

Tokyo · 江戸

Browse Tokyo’s cultural heritage from the Edo period (1603 – 1868). Filter by type and keyword, with concise stories, maps, and travel tips.

612 total Tokyo Edo Period 1603 – 1868
Showing 1 – 20 of 612
Yohen Tenmoku Tea Bowl
Tokyo 南宋
Yohen Tenmoku Tea Bowl

A Southern Song tea bowl in Tokyo, known as the Inaba Tenmoku. Another bowl of the very same name here was listed on exactly the same day as this one.

Jittoku (Ink on Paper)
Tokyo 元
Jittoku (Ink on Paper)

An ink painting on deposit at the Tokyo National Museum, owned by a foundation. Its title names Shide alone, and not the usual pair of the two figures.

Iro-Nabeshima Sake Bottle with Pine, Bamboo and Plum Design
Tokyo 江戸
Iro-Nabeshima Sake Bottle with Pine, Bamboo and Plum Design

An Edo-period porcelain sake bottle held at Dazaifu in Fukuoka Prefecture, Japan. Its own matching fellow there, of the very same form, is still unlisted.

Lotus Pond and Waterfowl (Ink on Paper; by Tawaraya Sotatsu)
Tokyo 江戸
Lotus Pond and Waterfowl (Ink on Paper; by Tawaraya Sotatsu)

Discover Tawaraya Sōtatsu's masterpiece of Japanese ink painting, "Lotus Pond and Waterfowl" (Renchi Suikin-zu), held by the Kyoto National Museum. This National Treasure hanging scroll, painted in the early Edo period in ink alone, quietly sets two lotus stems and two little grebes in dialogue to evoke the passage of a summer. This guide introduces the painting's artistic value, the reasons for its designation, its highlights, and the surrounding sights of Kyoto's Higashiyama district.

Portrait of Takami Senseki (Light Color on Silk; by Watanabe Kazan)
Tokyo 江戸
Portrait of Takami Senseki (Light Color on Silk; by Watanabe Kazan)

Watanabe Kazan's 1837 portrait of scholar Takami Senseki blends Western facial shading with East Asian brushwork. A National Treasure at the Tokyo National Museum.

Colorful Realm of Living Beings (Color on Silk; by Ito Jakuchu)
Tokyo 江戸
Colorful Realm of Living Beings (Color on Silk; by Ito Jakuchu)

Ito Jakuchu's National Treasure: thirty silk scrolls of birds, fish, and flowers painted over a decade for a Kyoto Zen temple, held at Tokyo's Sannomaru Shozokan.

Daguerreotype (portrait of Tanaka Mitsugi), photographed by Eliphalet Brown Jr., 1854
Tokyo 江戸
Daguerreotype (portrait of Tanaka Mitsugi), photographed by Eliphalet Brown Jr., 1854

Taken in 1854 by Eliphalet Brown Jr. during Commodore Perry's expedition, this daguerreotype portrait of Tanaka Mitsuyoshi — a samurai official who negotiated with the American squadron — is one of the oldest surviving photographs of a Japanese person taken on Japanese soil. Designated a national Important Cultural Property in 2006, this quarter-plate daguerreotype is entrusted to the Tokyo Photographic Art Museum in Yebisu Garden Place, Meguro, Tokyo.

Manuscripts Written by Kioki
Tokyo 江戸
Manuscripts Written by Kioki

A collection of autograph manuscript drafts by the Edo-period Buddhist monk and scholar Keichū (1640–1701), designated as an Important Cultural Property of Japan. The collection includes working drafts of groundbreaking works such as the Man'yō Daishōki and Waji Shōran-shō that laid the foundations of Japanese classical studies and linguistics.

Hut in the Mountains (Light Color on Silk; by Uragami Gyokudo, with a self-inscription dated 1792)
Tokyo 江戸
Hut in the Mountains (Light Color on Silk; by Uragami Gyokudo, with a self-inscription dated 1792)

Held at the Tokyo National Museum, this Important Cultural Property is a rare dated hanging scroll painted in 1792 by literati master Uragami Gyokudō at age forty-eight, just two years before he abandoned his samurai life. Discover its bright indigo-and-ochre palette and the seeds of his later masterworks.

Quail (Color on Silk; with the seal reading Zakkashitsu-in)
Tokyo 南宋
Quail (Color on Silk; with the seal reading Zakkashitsu-in)

A Southern Song-period silk painting of a quail bearing the "Zakkashitsu-in" connoisseurship seal of Shogun Ashikaga Yoshinori, this Important Cultural Property descends from the celebrated Higashiyama lineage of Chinese paintings cherished by the Ashikaga shogunal house, and is privately preserved in Tokyo as a quiet witness to Japan's medieval engagement with classical Chinese art.

Portrait of Sakuma Shogen (Color on Silk; by Kano Tan'yu)
Tokyo 江戸
Portrait of Sakuma Shogen (Color on Silk; by Kano Tan'yu)

A 1641 portrait of tea master Sakuma Shogen by Kano Tanyu, made a year before his death, with inscriptions by Zen abbot Kogetsu Sogan and scholar Hayashi Razan.

Album of Insects and Fish (Color on Silk; by Watanabe Kazan)
Tokyo 江戸
Album of Insects and Fish (Color on Silk; by Watanabe Kazan)

Twelve silk leaves of insects and fish, paired with Chinese poems, painted by Watanabe Kazan in 1841 and sent to his pupil weeks before his death. A coded farewell.

Dove on a Peach Branch (Color on Silk; by Emperor Huizong, dated the first year of the Daguan era)
Tokyo 北宋
Dove on a Peach Branch (Color on Silk; by Emperor Huizong, dated the first year of the Daguan era)

Discover the Pigeon on a Peach Branch (Momohato-zu), a Japanese National Treasure attributed to Emperor Huizong of the Northern Song Dynasty. This exquisite silk painting from 1107 showcases the boneless (mokkotsu) technique, Slender Gold calligraphy, and a provenance tracing back to Shogun Ashikaga Yoshimitsu.

Complete Communications List / Complete Communications List
Tokyo 江戸時代~明治時代
Complete Communications List / Complete Communications List

Held by the Diplomatic Archives of the Ministry of Foreign Affairs, Tsushin Zenran (320 volumes) and Zoku Tsushin Zenran (1,784 volumes) form Japan's first systematic compilation of diplomatic records. Covering the turbulent decade from 1859 to 1868, these approximately 2,000 volumes contain primary documents on Perry's arrival, the Namamugi Incident, and other pivotal Bakumatsu events. Designated an Important Cultural Property in 2016, related materials can be viewed free of charge at the Exhibition Room on the 5th floor of Mori JP Tower in Azabudai Hills, Tokyo.

Nanbu Family Documents
Tokyo 鎌倉~江戸
Nanbu Family Documents

Held in a private Tokyo collection, the Nanbu Family Documents are an Important Cultural Property of Japan comprising 243 unmounted medieval letters and orders preserved by the Hachinohe (later Tōno) Nanbu clan. Spanning the Kamakura through early Edo periods, the archive includes original directives from Southern Court generals Kitabatake Akiie and Akinobu, alongside the Soga Documents — making it a vital window into the wars and politics of medieval northern Japan.

Tsuba with a Design of a Group of Plover Birds at Sunrise
Tokyo 江戸
Tsuba with a Design of a Group of Plover Birds at Sunrise

Discover the Important Cultural Property tsuba by Tsuchiya Yasuchika, one of the celebrated Nara Sansaku masters. This Edo-period sword guard depicts plovers in flight against a golden sunrise through masterful iron carving and gold inlay.

Materials Relating to Yokoyama Matsusaburo (handed down in the Takada family)
Tokyo 江戸~明治時代
Materials Relating to Yokoyama Matsusaburo (handed down in the Takada family)

Self-taught photographer Yokoyama Matsusaburo learned his craft to portray his mother. These 83 objects, kept by one Hakodate family, survive from early Meiji Japan.

Wax-Covered Ink Writing by the Wise and Foolish
Tokyo 南宋
Wax-Covered Ink Writing by the Wise and Foolish

Calligraphy by the Southern Song Chan master Xutang Zhiyu on wax-coated paper, an Important Cultural Property prized as a tea-room scroll, privately held in Tokyo.

Wakizashi Sword (signed made by Umetada Myoju, resident of Nishijin in Yamashiro Province, at the age of sixty-one; dated the eleventh day of the fifth month of 1618)
Tokyo 江戸
Wakizashi Sword (signed made by Umetada Myoju, resident of Nishijin in Yamashiro Province, at the age of sixty-one; dated the eleventh day of the fifth month of 1618)

A short sword whose tang records its maker's own age. Umetada Myoju forged it at sixty-one in 1618, late in a career that helped open the new-sword era.

Arrival of the Southern Barbarians (Color on Gold Ground Paper; six-panel screen)
Tokyo 江戸
Arrival of the Southern Barbarians (Color on Gold Ground Paper; six-panel screen)

A pair of gold-ground folding screens at the Tokyo National Museum: a Namban ship unloading cargo, and a procession winding toward a hilltop Christian church.