Heian

Tokyo · 平安

Browse Tokyo’s cultural heritage from the Heian period (794 – 1185). Filter by type and keyword, with concise stories, maps, and travel tips.

660 total Tokyo Heian Period 794 – 1185
Showing 21 – 40 of 660
Fragmentary Volumes Two and Four of the Manyoshu, Kanazawa Manuscript (by Fujiwara no Sadanobu, on decorated paper), with a maki-e booklet box with a bay-landscape design, a paulownia booklet box, and a box inscription by Maeda Tsunanori dated 1707
Tokyo 平安時代院政期
Fragmentary Volumes Two and Four of the Manyoshu, Kanazawa Manuscript (by Fujiwara no Sadanobu, on decorated paper), with a maki-e booklet box with a bay-landscape design, a paulownia booklet box, and a box inscription by Maeda Tsunanori dated 1707

A twelfth-century manuscript of the Manyoshu, Japan's oldest poetry anthology, copied by the celebrated calligrapher Fujiwara no Sadanobu onto luxurious mica-printed paper. Treasured by the Maeda lords of Kaga for over three centuries before being presented to the Emperor Meiji, it was designated a National Treasure in 2023 and is one of the Five Great Manyoshu of the Heian period.

The Lotus Sutra (Kunoji Sutra)
Tokyo 平安
The Lotus Sutra (Kunoji Sutra)

Around 1141, Retired Emperor Toba's court copied the Lotus Sutra one scroll per person on gold-strewn papers. Trace Tesshuji's nineteen-scroll National Treasure.

Tachi (inscribed Masatsune)
Tokyo 平安
Tachi (inscribed Masatsune)

This National Treasure tachi by the Ko-Bizen smith Masatsune was shogun Yoshimune's 1745 retirement gift to the Owari Tokugawa, now at Nagoya's Tokugawa Art Museum.

Illustrated Scroll of the Tale of Genji (Color on Paper; fifteen paintings and sixteen text sections)
Tokyo 平安
Illustrated Scroll of the Tale of Genji (Color on Paper; fifteen paintings and sixteen text sections)

Japan's oldest illustrated Tale of Genji, a 12th-century National Treasure at Nagoya's Tokugawa Art Museum, shown a few weeks each November to protect its pigments.

Wakan Roeishu with Reed Script Decoration (by Fujiwara no Koreyuki)
Tokyo 平安
Wakan Roeishu with Reed Script Decoration (by Fujiwara no Koreyuki)

Copied in 1160 by Fujiwara no Koreyuki, these National Treasure scrolls at the Kyoto National Museum set a complete Heian poetry anthology on ashide-e paper.

Book of Han: Biography of Yang Xiong, No. 57
Tokyo
Book of Han: Biography of Yang Xiong, No. 57

A Tang manuscript of the Book of Han, chapter 57 on poet Yang Xiong, at Kyoto National Museum. Taboo strokes and 948 reading marks trace ten centuries of study.

Shakyamuni Rising from the Golden Coffin (Color on Silk)
Tokyo 平安
Shakyamuni Rising from the Golden Coffin (Color on Silk)

This late-Heian National Treasure at the Kyoto National Museum shows the dead Buddha rising from his golden coffin to preach a last sermon to his mother, Queen Maya.

Landscape Screen (Color on Silk; six-panel screen)
Tokyo 平安
Landscape Screen (Color on Silk; six-panel screen)

The only screen painting surviving from Japan's Heian period, this 11th-century National Treasure from To-ji temple may depict the Tang poet Bai Juyi at his retreat.

Manuscript of Kitayama Sho (Volume 10)
Tokyo 平安
Manuscript of Kitayama Sho (Volume 10)

Fujiwara no Kintō's only surviving autograph draft of the Hokuzanshō, held at the Kyoto National Museum. Its reverse hides two of Japan's oldest kana letters.

The Remaining Volume of the Twelfth Volume of the Kokin
Tokyo 平安
The Remaining Volume of the Twelfth Volume of the Kokin

This National Treasure handscroll preserves love poems from the Kokin Wakashu in flowing kana on mica-printed Chinese paper, long credited to Ono no Tofu.

Fragmentary Volume of the Introduction to the Diamond Sutra (by Kobo Daishi; 63 lines)
Tokyo 平安
Fragmentary Volume of the Introduction to the Diamond Sutra (by Kobo Daishi; 63 lines)

Kūkai's own ninth-century draft preface to the Diamond Sutra, at the Kyoto National Museum. Sixty-three lines whose deletions catch this monk mid-thought.

Shinsen Ruirinsho Volume 4 Remaining
Tokyo 平安
Shinsen Ruirinsho Volume 4 Remaining

Forty Tang poems by Li Bai, Wang Wei, and others fill this 5.5-meter ninth-century cursive scroll at the Kyoto National Museum, a National Treasure since 1962.

The Sixth and Remaining Volume of the New Book of World
Tokyo
The Sixth and Remaining Volume of the New Book of World

This Tang-dynasty scroll at the Kyoto National Museum preserves 172 lines of the Shishuo Xinshu, the world's oldest surviving manuscript of the Chinese classic.

Tachi (named Yasuie)
Tokyo 平安
Tachi (named Yasuie)

A National Treasure at the Kyoto National Museum, this tachi is the only blade securely attributed to the late-Heian smith Yasuie, unshortened and finely preserved.

Nihon Shoki (Chronicles of Japan) Volumes 22 and 24
Tokyo 平安
Nihon Shoki (Chronicles of Japan) Volumes 22 and 24

Copied in mid-Heian times, the Iwasaki-bon preserves Volumes 22 and 24 of Japan's first chronicle, layered with ancient reading marks and 15th-century notes.

Draft Letter Written by Tadamichi Fujiwara
Tokyo 平安
Draft Letter Written by Tadamichi Fujiwara

Twenty-nine letter drafts by regent Fujiwara no Tadamichi fill a 9.8-meter scroll at the Kyoto National Museum, the clearest record of the Hosshoji school's origins.

The Remaining Volume of the Ninth Volume of the Manyoshu
Tokyo 平安
The Remaining Volume of the Ninth Volume of the Manyoshu

A National Treasure: book nine of the Man'yoshu on silver-flecked indigo paper, late Heian period, and the only Aigami-bon to survive as a complete scroll.

Celadon Turnip Vase
Gunma 南宋
Celadon Turnip Vase

A Southern Song celadon vase of shimokabura form, a Japanese National Treasure with a smooth, crackle-free pale-blue glaze. Its kiln is still debated by scholars.

Song Dynasty Version of Hanshu (published by Keiyuan)
Chiba 南宋
Song Dynasty Version of Hanshu (published by Keiyuan)

A National Treasure near Tokyo: a Southern Song printing of the Hanshu in 61 fascicles, holding the earliest reliable Chinese record of Japan, the Wa people.

Song Dynasty Version of Later Hanshu (published by Keiyuan)
Chiba 南宋
Song Dynasty Version of Later Hanshu (published by Keiyuan)

A complete Southern Song printing of the Book of the Later Han, kept in Sakura, whose account of the eastern peoples names Queen Himiko and an embassy of 57 CE.