Kamakura

Kyoto · 鎌倉

Browse Kyoto’s cultural heritage from the Kamakura period (1185 – 1333). Filter by type and keyword, with concise stories, maps, and travel tips.

1,117 total Kyoto Kamakura Period 1185 – 1333
Showing 61 – 80 of 1,117
Commentary on the Kanmuryojukyo (by Shinran)
Kyoto 鎌倉
Commentary on the Kanmuryojukyo (by Shinran)

The National Treasure Kanmuryōjukyō Chū, preserved at Nishi Hongan-ji Temple in Kyoto, is a Kamakura-period handscroll in which Shinran, the founder of Jōdo Shinshū Buddhism, copied the Contemplation Sutra and filled every margin with meticulous annotations from commentaries by the Chinese master Shan-tao. Discovered in 1943, this rare autograph manuscript offers an extraordinary glimpse into the young founder's rigorous scriptural study and spiritual development.

Kyoudou Chigu Sumiyori〈Dharma Death Anniversary Poem〉
Kyoto 南宋
Kyoudou Chigu Sumiyori〈Dharma Death Anniversary Poem〉

Discover the National Treasure bokuseki calligraphy by Chinese Chan master Xutang Zhiyu, preserved at Daitoku-ji temple in Kyoto. Learn about its Zen heritage, tea ceremony significance, and how to view this masterpiece.

Kyogyoshinsho (written by Shinran/(Bandō Version))
Kyoto 鎌倉
Kyogyoshinsho (written by Shinran/(Bandō Version))

The Bandō-bon is the sole surviving manuscript of the Kyōgyōshinshō written in the hand of Shinran Shōnin, founder of Jōdo Shinshū Buddhism. Designated a National Treasure, this 13th-century masterwork bears decades of revisions in red and black ink, hidden stylus marks discovered during restoration, and a dramatic survival story from the Great Kantō Earthquake. Discover its significance, viewing opportunities at the Kyoto National Museum, and related heritage sites including Higashi Honganji.

Gyokuhenmaki No. 27 (first Half)
Kyoto
Gyokuhenmaki No. 27 (first Half)

Discover the Gyokuhen (Yupian) Volume 27 at Kōzan-ji Temple in Kyoto—a National Treasure and Tang dynasty manuscript of the oldest Chinese character dictionary, lost in China but preserved in Japan for over 1,400 years.

Kumano Kaishi (11 Letters Including Emperor Gotoba's Letter)
Kyoto 鎌倉
Kumano Kaishi (11 Letters Including Emperor Gotoba's Letter)

Eleven signed waka sheets from a 1200 poetry session on the Kumano road, led by retired emperor Go-Toba, now one National Treasure scroll at Nishi Hongan-ji, Kyoto.

Kumano Kaishi (in the hand of Emperor Gotoba, with writings by Fujiwara no Ietaka and Jakuren)
Kyoto 鎌倉
Kumano Kaishi (in the hand of Emperor Gotoba, with writings by Fujiwara no Ietaka and Jakuren)

Discover the Kumano Kaishi at Yomei Bunko — three National Treasure calligraphy sheets penned by Emperor Go-Toba, Fujiwara no Ietaka, and Jakuren during sacred Kumano pilgrimages around 1200 CE. Learn about their literary significance, the Shin Kokin Wakashū connection, and how to experience these masterpieces of early Kamakura-period calligraphy.

Calligraphy of Gulin Qingmao (conferring the name Getsurin; dated the fifteenth day of the third month of 1327)
Kyoto
Calligraphy of Gulin Qingmao (conferring the name Getsurin; dated the fifteenth day of the third month of 1327)

Discover the National Treasure bokuseki by Yuan-dynasty Zen master Gulin Qingmao, bestowed upon his Japanese disciple Getsurin Dōkō in 1327. Now deposited at Kyoto National Museum, this masterpiece of Zen calligraphy embodies centuries of cross-cultural spiritual exchange between China and Japan.

 Gekkan Bunmei Bokuseki 〈Doudu Ni Oaza〉
Kyoto
Gekkan Bunmei Bokuseki 〈Doudu Ni Oaza〉

Discover the Important Cultural Property "Dōto" — two powerful characters by Chinese Chan monk Gekkan Bunmei, housed at Shōkoku-ji's Jōtenkaku Museum in Kyoto. Learn about bokuseki (Zen calligraphy), its meaning, and how to visit.

Kanta Grain Silk Robe
Kyoto
Kanta Grain Silk Robe

Discover the Kenda Kokushi Kesa, a National Treasure Buddhist vestment brought to Japan by Kukai from Tang Dynasty China. Housed at the Kyoto National Museum, this 8th-century tapestry-weave masterpiece reveals the roots of Shingon Buddhism.

Amida Triad (Color on Silk; by Puyue)
Kyoto 南宋
Amida Triad (Color on Silk; by Puyue)

A National Treasure of Shōjōke-in, Kyoto: a Southern Song Amida triad in three signed scrolls by the Ningbo painter Fuetsu, now held at the Kyoto National Museum.

Descent of Amida and the Twenty-Five Bodhisattvas (Color on Silk; the Swift Descent)
Kyoto 鎌倉
Descent of Amida and the Twenty-Five Bodhisattvas (Color on Silk; the Swift Descent)

A 14th-century National Treasure of Chion-in, the 'Hayaraigo' shows Amida and twenty-five bodhisattvas plunging down a steep mountain to welcome a dying believer.

Enmaten (Color on Silk)
Kyoto 鎌倉
Enmaten (Color on Silk)

The National Treasure painting of Enma-ten (Yama) at Daigo-ji Temple in Kyoto is a masterpiece of Kamakura-period esoteric Buddhist art. Rather than the fearsome King of Hell, this silk scroll depicts Yama as an elegant, bodhisattva-like figure seated upon a white water buffalo—believed to have been created as the principal icon for safe-childbirth prayers. With its exquisite cut-gold leaf decoration and masterful brushwork, it stands as one of Japan's finest medieval Buddhist paintings.

Kariteimo (Color on Silk)
Kyoto 鎌倉
Kariteimo (Color on Silk)

At Daigo-ji in Kyoto, a National Treasure shows Kariteimo, once a child-devouring demon, now cradling an infant with a pomegranate, a goddess of safe childbirth.

Kujaku Myoo (Color on Silk)
Kyoto 南宋
Kujaku Myoo (Color on Silk)

Ninna-ji's National Treasure Kujaku Myōō, a Song-dynasty Chinese painting, shows the Peacock Wisdom King with three faces and six arms on a white peacock.

Five Great Wisdom Kings (Color on Silk)
Kyoto 鎌倉
Five Great Wisdom Kings (Color on Silk)

A Kamakura-period National Treasure at Daigo-ji in Kyoto: five silk scrolls of the Five Wisdom Kings, led by Fudo, painted as icons of an esoteric protection rite.

Autumn and Winter Landscapes (Color on Silk)
Kyoto 南宋
Autumn and Winter Landscapes (Color on Silk)

Two Southern Song scrolls at Kyoto's Konchi-in, the Autumn and Winter Landscapes are a National Treasure once owned by the Ashikaga shoguns and ascribed to Huizong.

Twelve Devas (Color on Silk; attributed to Takuma Shoga, six-panel screen)
Kyoto 鎌倉
Twelve Devas (Color on Silk; attributed to Takuma Shoga, six-panel screen)

At Tō-ji, the Twelve Devas appear not as separate scrolls but across a pair of six-panel folding screens, painted on silk in 1191 and attributed to Takuma Shōga.

Landscape Screen (Color on Silk; six-panel screen)
Kyoto 鎌倉
Landscape Screen (Color on Silk; six-panel screen)

A National Treasure six-panel screen at Jingo-ji near Kyoto, painted about 1200 for the Shingon kanjo rite. Its native yamato-e landscape is the oldest to survive.

Portrait Said to Be Taira no Shigemori (Color on Silk)
Kyoto 鎌倉
Portrait Said to Be Taira no Shigemori (Color on Silk)

A National Treasure portrait at Jingo-ji, traditionally Taira no Shigemori but possibly the shogun Ashikaga Takauji. Its sitter and date are still debated.

Portrait Said to Be Fujiwara no Mitsuyoshi (Color on Silk)
Kyoto 鎌倉
Portrait Said to Be Fujiwara no Mitsuyoshi (Color on Silk)

One of the Jingo-ji Three Portraits, a National Treasure traditionally called Fujiwara no Mitsuyoshi, though the sitter may instead be Ashikaga shogun Yoshiakira.