Asuka

飛鳥

Browse Japan’s cultural heritage from the Asuka period (538 – 710). Filter by prefecture, type, and keyword, with concise stories, maps, and travel tips.

736 total Asuka Period 538 – 710
Showing 81 – 100 of 736
Song Dynasty Version of Hanshu (published by Keiyuan)
Chiba 南宋
Song Dynasty Version of Hanshu (published by Keiyuan)

A National Treasure near Tokyo: a Southern Song printing of the Hanshu in 61 fascicles, holding the earliest reliable Chinese record of Japan, the Wa people.

Song Dynasty Version of Later Hanshu (published by Keiyuan)
Chiba 南宋
Song Dynasty Version of Later Hanshu (published by Keiyuan)

A complete Southern Song printing of the Book of the Later Han, kept in Sakura, whose account of the eastern peoples names Queen Himiko and an embassy of 57 CE.

Song Dynasty History (published by Hwang Shanfu)
Chiba 南宋
Song Dynasty History (published by Hwang Shanfu)

A National Treasure near Tokyo: the Song-dynasty Shiji printed by Huang Shanfu, the oldest complete copy of the three-commentary edition, all 130 chapters intact.

Junnan Kōretsu Hyakuryakushu (back of Paper)
Tokyo
Junnan Kōretsu Hyakuryakushu (back of Paper)

On the back of the Akihagi-jo handscroll lies a Tang copy of the Huainanzi's military chapter, older than the poems on its front. Both sides are National Treasures.

Kan Gokujin's Calligraphy <Certificate of Seal>
Tokyo 北宋
Kan Gokujin's Calligraphy <Certificate of Seal>

Brushed in 1124, this is the oldest surviving Zen calligraphy. Cut in two long ago, its front half is National Treasure number one, the supreme tearoom scroll.

Wang Boshu (Collection of Wang Boshu), Volumes 29 and 30
Tokyo
Wang Boshu (Collection of Wang Boshu), Volumes 29 and 30

At the Tokyo National Museum, this Tang scroll is the oldest surviving copy of the early Tang writer Wang Bo, brushed around 685 to 689, a decade after his death.

Mirror with Sea and Shore Design (presented by Empress Komyo on the twenty-second day of the second month of 736; from the Horyuji treasures)
Tokyo 唐時代
Mirror with Sea and Shore Design (presented by Empress Komyo on the twenty-second day of the second month of 736; from the Horyuji treasures)

Two white-bronze mirrors at the Tokyo National Museum, donated to Hōryūji by Empress Kōmyō in 736. Their backs cast a Daoist realm of sacred peaks and seas.

Karamono Shoulder-Shaped Tea Caddy <Meimatsuya>
Tokyo 南宋
Karamono Shoulder-Shaped Tea Caddy <Meimatsuya>

Discover the Matsuya Katatsuki, an Important Cultural Property of Japan — a Chinese-made shouldered tea caddy that passed through the hands of shoguns and tea masters for over 500 years. Now housed at the Nezu Museum in Tokyo's Aoyama district.

Kyoudou Chigu Sumiyori〈Hogo〉
Tokyo 南宋
Kyoudou Chigu Sumiyori〈Hogo〉

A small ink scroll the Chan master Xutang Zhiyu brushed near age eighty for a Japanese monk, slashed by a servant in 1637 and now a National Treasure in Tokyo.

The Remaining Ninth Volume of the Jade Chapter
Tokyo
The Remaining Ninth Volume of the Jade Chapter

Volume nine of the Yupian, a Chinese dictionary lost in China, survives in Japan as a Tang scroll. This Waseda National Treasure bears a Buddhist text dated 1021.

Gilt Silver Ewer with Dragon-Head Spout (from the Horyuji treasures)
Tokyo
Gilt Silver Ewer with Dragon-Head Spout (from the Horyuji treasures)

At the Tokyo National Museum, the gilt Dragon-Head Ewer fuses a Persian form, four engraved Pegasus, and an East Asian dragon. A National Treasure from Hōryū-ji.

Stone-Style Yuran No. 5
Tokyo
Stone-Style Yuran No. 5

Discover Jieshi Diao Youlan Daiwo, the world's oldest complete instrumental music manuscript. This 7th-century guqin tablature, designated a National Treasure of Japan, is preserved at the Tokyo National Museum in Ueno, Tokyo.

Quail (Color on Silk)
Tokyo 南宋
Quail (Color on Silk)

Just 24.2 cm tall, this National Treasure at Tokyo's Nezu Museum is a peak of Southern Song bird-and-flower painting, attributed to Li Anzhong and shown only rarely.

Red and White Cotton Roses (Color on Silk)
Tokyo 南宋
Red and White Cotton Roses (Color on Silk)

Painted by the Song court artist Li Di and dated 1197, this National Treasure pairs a white and a red cotton rose, one flower as it shifts colour across a day.

Apple Blossom (Color on Silk)
Tokyo 南宋
Apple Blossom (Color on Silk)

A fan-shaped Song-dynasty painting of one apple branch, its blossoms ranging from bud to full bloom. Now a National Treasure at Tokyo's Ebara Hatakeyama Museum.

Shakyamuni Descending the Mountain and Snowy Landscapes (Ink and Light Color on Silk; by Liang Kai)
Tokyo 南宋
Shakyamuni Descending the Mountain and Snowy Landscapes (Ink and Light Color on Silk; by Liang Kai)

A National Treasure at the Tokyo National Museum: a Southern Song three-scroll set by Liang Kai of a gaunt Buddha and snowy peaks, held by the Ashikaga shoguns.

Landscape in Wind and Rain (Ink and Light Color on Silk; attributed to Ma Yuan)
Tokyo 南宋
Landscape in Wind and Rain (Ink and Light Color on Silk; attributed to Ma Yuan)

A Southern Song scroll attributed to Ma Yuan, this National Treasure shows a lone traveler hurrying under a folded umbrella as wind and rain cross towering peaks.

Obata Zanketsu (Shuko Nishiki)
Tokyo 飛鳥
Obata Zanketsu (Shuko Nishiki)

Discover the Shōban Zanketsu (Shokkō-kin), a pair of Asuka-period banner fragments held at the Tokyo National Museum's Gallery of Hōryū-ji Treasures. Designated an Important Cultural Property, these warp-faced compound weave brocades, woven in vibrant red with pearl roundels of lions, phoenixes, celestial horses and stags, are among the oldest surviving silk textiles in the world. A 1,300-year-old testament to Silk Road exchange between Tang-dynasty Shu (Sichuan) and ancient Japan.

Kita〓 Jujian Calligraphy〈Registration of Heavenly Temples/A
Tokyo 南宋
Kita〓 Jujian Calligraphy〈Registration of Heavenly Temples/A

A bokuseki scroll at the Tokyo National Museum: a verse brushed by the Southern Song Zen monk Beijian Jujian in a Suzhou pavilion in 1229, an early tea scroll.

Commentary on the Book of Li, Volume 59
Tokyo
Commentary on the Book of Li, Volume 59

Preserved at Waseda University Library in Tokyo's Shinjuku Ward, this National Treasure is the sole surviving volume of a lost 100-volume Chinese Confucian commentary. A Tang-dynasty handscroll that reached Japan in the Nara period, it bears the personal library seal of Empress Kōmyō. Discover its extraordinary journey, scholarly importance, and how to experience it today.