Edo
江戸Browse Japan’s cultural heritage from the Edo period (1603 – 1868). Filter by prefecture, type, and keyword, with concise stories, maps, and travel tips.
Calligraphy by the Southern Song Chan master Xutang Zhiyu on wax-coated paper, an Important Cultural Property prized as a tea-room scroll, privately held in Tokyo.
A short sword whose tang records its maker's own age. Umetada Myoju forged it at sixty-one in 1618, late in a career that helped open the new-sword era.
A pair of gold-ground folding screens at the Tokyo National Museum: a Namban ship unloading cargo, and a procession winding toward a hilltop Christian church.
Discover the Seto Mimitsuki Mizusashi, a Registered Art Object held at Tokyo National Museum. This Edo-period (late 17th to 18th century) water jar, made at the historic Seto kiln, features a cylindrical body with charming bamboo-shaped handles, an iron glaze layered with poured ash glaze, and a black lacquered wooden lid. Explore its quiet beauty, historical significance, viewing highlights, and visitor information for the museum in Ueno Park, Tokyo.
Discover the Tekagami (292 Leaves), a registered work of art at Tokyo National Museum. Compiled in 1861 by Edo Shogunate official painter Sumiyoshi Hirotsura, this rare album contains 292 fragments of Japan's finest ancient calligraphy spanning a thousand years from Nara to Edo periods.
A pair of six-panel folding screens by Shōkadō Shōjō, one of the Three Great Calligraphers of the Kan'ei Era, featuring delicate four-seasons flower-and-bird paintings interwoven with sixteen scattered waka poems on a shimmering gold-and-silver ground.
Forty-one landscape panels by Sakaki Hyakusen, a pioneer of Japan's Nanga school, painted in 1751 near Nara and now on deposit at the Nara National Museum.
An Important Cultural Property by Ogata Kenzan: a half-cylinder tea bowl with an iron-brown waterfall on one side and a poem on the other, both from his own brush.
A National Important Cultural Property held privately in Nara Prefecture, this set of six color-on-paper fusuma panels was painted in 1751 by Sakaki Hyakusen (1697–1752), one of the four founding figures of Japanese Nanga literati painting, just one year before his death. Depicting Mount Tiantai's legendary stone bridge and its abode of five hundred arhats, the work is part of the 41-panel cycle known as the Former Jimon-in Wall Paintings — the largest surviving program of architectural painting by Hyakusen and a milestone in the adaptation of Chinese Southern School painting to Japanese fusuma format.
Discover the Gojō Family Documents, an Important Cultural Property in Yame, Fukuoka. This collection of 369 documents across 17 scrolls preserves imperial letters from the Southern Court era, offering a rare window into Japan's dramatic Nanbokuchō period.
The Iino Family Documents, 1,683 papers from the priests of Iino Hachimangu in Iwaki, Fukushima, begin in 1204; 210 medieval pieces record estate rule.
Founded by the Matsudaira ancestors of the Tokugawa, Iga Hachimangu in Okazaki keeps a polychrome early-Edo shrine whose main hall Ieyasu built in 1611.
Owari's second shrine in Inuyama, Aichi, restored in 1661 by lord Tokugawa Mitsutomo, with a rare twin hip-and-gable main hall and ritual hall in the Owari layout.
The early Edo worship hall of Owari Okunitama Shrine in Inazawa, Aichi: an open, round-pillared gabled hall that keeps to a restrained traditional style.
The tower gate of Owari Okunitama Shrine in Inazawa, Aichi: its lower storey is late Muromachi and its upper storey dates from 1646, under a cypress-bark roof.
On the old Chuma road in Asuke, Toyota City, the Suzuki family compound preserves sixteen buildings and their land, a great merchant household across Edo and Meiji.
A mid-Edo mountain house in Toyone, Aichi, framed on unusually wide bays with a six-room plan borrowed from samurai housing. Three buildings designated in 1974.
The tomb of Tokugawa Yoshinao, founder of the Owari domain, beside Jokoji in Seto, Aichi, built in 1651 and 1652 on a rare Confucian plan by Chen Yuanyun.
An 1808 five-storey pagoda at Koshoji temple in Nagoya, Aichi, restrained in the wayo style and keeping archaic features such as an earth-floored first storey.
One of the four Kannon temples guarding Nagoya Castle, Jimokuji in Ama, Aichi preserves a pagoda of 1627 and an east gate of 1634, designated nationally in 1953.