Kamakura

鎌倉

Browse Japan’s cultural heritage from the Kamakura period (1185 – 1333). Filter by prefecture, type, and keyword, with concise stories, maps, and travel tips.

4,800 total Kamakura Period 1185 – 1333
Showing 521 – 540 of 4,800
Junnan Kōretsu Hyakuryakushu (back of Paper)
Tokyo 唐
Junnan Kōretsu Hyakuryakushu (back of Paper)

On the back of the Akihagi-jo handscroll lies a Tang copy of the Huainanzi's military chapter, older than the poems on its front. Both sides are National Treasures.

Kan Gokujin's Calligraphy <Certificate of Seal>
Tokyo 北宋
Kan Gokujin's Calligraphy <Certificate of Seal>

Brushed in 1124, this is the oldest surviving Zen calligraphy. Cut in two long ago, its front half is National Treasure number one, the supreme tearoom scroll.

Circular Design Mother-of-Pearl Mirror Saddle
Tokyo 鎌倉
Circular Design Mother-of-Pearl Mirror Saddle

A Kamakura warrior's horse-tack set at Tokyo's Musashi Mitake Shrine, the gilt-bronze saddle inlaid with iridescent shell circles, designated a National Treasure.

Wang Boshu (Collection of Wang Boshu), Volumes 29 and 30
Tokyo 唐
Wang Boshu (Collection of Wang Boshu), Volumes 29 and 30

At the Tokyo National Museum, this Tang scroll is the oldest surviving copy of the early Tang writer Wang Bo, brushed around 685 to 689, a decade after his death.

Mirror with Sea and Shore Design (presented by Empress Komyo on the twenty-second day of the second month of 736; from the Horyuji treasures)
Tokyo 唐時代
Mirror with Sea and Shore Design (presented by Empress Komyo on the twenty-second day of the second month of 736; from the Horyuji treasures)

Two white-bronze mirrors at the Tokyo National Museum, donated to Hōryūji by Empress Kōmyō in 736. Their backs cast a Daoist realm of sacred peaks and seas.

Katana Sword (gold-inlaid inscription: owned by Jo Izumi no Kami; shortened by Hon'ami with attribution to Masamune, with monogram)
Tokyo 鎌倉
Katana Sword (gold-inlaid inscription: owned by Jo Izumi no Kami; shortened by Hon'ami with attribution to Masamune, with monogram)

A katana attributed to the Kamakura smith Masamune, shortened in 1609 and gold-inlaid by appraiser Hon'ami Kotoku. Once held by warrior Jo Kagemochi, now in Ueno.

Katana Sword (gold-inlaid inscription: Mitsutada, with the monogram of Kotoku; owned by Ikoma Sanuki no Kami; known as Ikoma Mitsutada)
Tokyo 鎌倉
Katana Sword (gold-inlaid inscription: Mitsutada, with the monogram of Kotoku; owned by Ikoma Sanuki no Kami; known as Ikoma Mitsutada)

A National Treasure katana by Mitsutada of Bizen, prized for its flamboyant clove temper line. Now unsigned, it bears a gold attribution by Honami Kotoku.

Sword (Unsigned Sadamune (famous Tortoiseshell Sadamune))
Tokyo 鎌倉
Sword (Unsigned Sadamune (famous Tortoiseshell Sadamune))

A National Treasure katana attributed to Sōshū Sadamune, heir to Masamune. A tortoiseshell crest carved on its shortened tang gives the blade its lasting name.

Sword (Unsigned Masamune (famous Kanze Masamune))
Tokyo 鎌倉
Sword (Unsigned Masamune (famous Kanze Masamune))

An unsigned katana by Masamune, Japan's most celebrated swordsmith. Shortened to 64.4 cm and once owned by the Kanze Noh family, it is a National Treasure in Tokyo.

Katana Sword (unsigned, by Masamune, known as Tarosaku Masamune)
Tokyo 鎌倉
Katana Sword (unsigned, by Masamune, known as Tarosaku Masamune)

Tarōsaku Masamune is a National Treasure katana attributed to Gorō Nyūdō Masamune, the late-Kamakura master who perfected the Sōshū tradition. Named after the Tokugawa retainer Mizuno Tarōsaku Masashige, the sword passed through the shōgunate and was presented in 1633 to the Maeda lords of Kaga, who have preserved it ever since. Owned by the Maeda Ikutokukai Foundation in Tokyo, it is exhibited periodically at the Sonkeikaku Bunko Branch within the Ishikawa Prefectural Museum of Art in Kanazawa.

Chinese Katatsuki Tea Caddy, known as Matsuya
Tokyo 南宋
Chinese Katatsuki Tea Caddy, known as Matsuya

A Southern Song tea caddy at the Nezu Museum, an Important Cultural Property since 1959, handed down from Ashikaga Yoshimasa to the Matsuya family of Nara.

Kyoudou Chigu Sumiyori〈Hogo〉
Tokyo 南宋
Kyoudou Chigu Sumiyori〈Hogo〉

A small ink scroll the Chan master Xutang Zhiyu brushed near age eighty for a Japanese monk, slashed by a servant in 1637 and now a National Treasure in Tokyo.

The Remaining Ninth Volume of the Jade Chapter
Tokyo 唐
The Remaining Ninth Volume of the Jade Chapter

Volume nine of the Yupian, a Chinese dictionary lost in China, survives in Japan as a Tang scroll. This Waseda National Treasure bears a Buddhist text dated 1021.

Gilt Silver Ewer with Dragon-Head Spout (from the Horyuji treasures)
Tokyo 唐
Gilt Silver Ewer with Dragon-Head Spout (from the Horyuji treasures)

At the Tokyo National Museum, the gilt Dragon-Head Ewer fuses a Persian form, four engraved Pegasus, and an East Asian dragon. A National Treasure from Hōryū-ji.

Kumano Goko Ki (by Fujiwara no Teika; dated the tenth month of 1201)
Tokyo 鎌倉
Kumano Goko Ki (by Fujiwara no Teika; dated the tenth month of 1201)

Fujiwara no Teika's autograph diary of Retired Emperor Go-Toba's 1201 pilgrimage to Kumano, a National Treasure full of weary complaints and admired calligraphy.

Calligraphy of Gulin Qingmao (farewell verse for Betsugen Enshi; dated the second day of the ninth month of 1325)
Tokyo 元
Calligraphy of Gulin Qingmao (farewell verse for Betsugen Enshi; dated the second day of the ninth month of 1325)

Brushed in 1325 by the Yuan master Gulin Qingmao for his disciple Betsugen Enshi, this farewell verse, once owned by Oda Nobunaga, is now a National Treasure.

Elegant Orchid in the Stone Tablet Mode (Jieshidiao Youlan No. 5)
Tokyo 唐
Elegant Orchid in the Stone Tablet Mode (Jieshidiao Youlan No. 5)

A Tang-dynasty handscroll at the Tokyo National Museum, a National Treasure since 1954, copying in regular script a score for the zither piece Elegant Orchid.

Illustrated Biography of the Priest Ippen (Color on Silk; by Hogen En'i, volume seven)
Tokyo 鎌倉
Illustrated Biography of the Priest Ippen (Color on Silk; by Hogen En'i, volume seven)

The original seventh scroll of the Ippen Hijiri-e is kept apart from its set, at the Tokyo National Museum. The 1299 silk scroll shows the dancing nembutsu in Kyoto.

Quail (Color on Silk)
Tokyo 南宋
Quail (Color on Silk)

Just 24.2 cm tall, this National Treasure at Tokyo's Nezu Museum is a peak of Southern Song bird-and-flower painting, attributed to Li Anzhong and shown only rarely.

Red and White Cotton Roses (Color on Silk)
Tokyo 南宋
Red and White Cotton Roses (Color on Silk)

Painted by the Song court artist Li Di and dated 1197, this National Treasure pairs a white and a red cotton rose, one flower as it shifts colour across a day.