Kamakura

鎌倉

Browse Japan’s cultural heritage from the Kamakura period (1185 – 1333). Filter by prefecture, type, and keyword, with concise stories, maps, and travel tips.

4,800 total Kamakura Period 1185 – 1333
Showing 541 – 560 of 4,800
Nachi Falls (Color on Silk)
Tokyo 鎌倉
Nachi Falls (Color on Silk)

A National Treasure at Tokyo Nezu Museum, this rare Kamakura scroll shows Nachi Falls alone as a sacred deity, fusing yamato-e and Chinese ink-and-gold landscape.

Apple Blossom (Color on Silk)
Tokyo 南宋
Apple Blossom (Color on Silk)

A fan-shaped Song-dynasty painting of one apple branch, its blossoms ranging from bud to full bloom. Now a National Treasure at Tokyo's Ebara Hatakeyama Museum.

Shakyamuni Descending the Mountain and Snowy Landscapes (Ink and Light Color on Silk; by Liang Kai)
Tokyo 南宋
Shakyamuni Descending the Mountain and Snowy Landscapes (Ink and Light Color on Silk; by Liang Kai)

A National Treasure at the Tokyo National Museum: a Southern Song three-scroll set by Liang Kai of a gaunt Buddha and snowy peaks, held by the Ashikaga shoguns.

Landscape in Wind and Rain (Ink and Light Color on Silk; attributed to Ma Yuan)
Tokyo 南宋
Landscape in Wind and Rain (Ink and Light Color on Silk; attributed to Ma Yuan)

A Southern Song scroll attributed to Ma Yuan, this National Treasure shows a lone traveler hurrying under a folded umbrella as wind and rain cross towering peaks.

Misasa Shinkan
Tokyo 鎌倉
Misasa Shinkan

Housed at the Sonkeikaku Bunko in Komaba, Tokyo, the National Treasure Sanchō Shinkan brings together autograph letters by three emperors — Fushimi, Hanazono, and Go-Daigo — who lived through the turbulent transition from the late Kamakura period to the Nanboku-chō era. This article introduces one of Japan's most remarkable assemblages of imperial calligraphy and living historical voice.

Kiyoshitsu Masasumi Ink Painting (Yozuri Daijizoshu Sermon)
Tokyo 元~南北朝
Kiyoshitsu Masasumi Ink Painting (Yozuri Daijizoshu Sermon)

Discover the Seisetsu Shōchō Bokuseki 'Yo Kantaiji Zōsu Hōgo' at Eisei Bunko in Tokyo. This Important Cultural Property is a Dharma instruction brushed by the Yuan-Chinese Zen master Seisetsu Shōchō (1274–1339), who came to Japan in 1326 and shaped early Japanese Zen. Explore its history, artistic highlights, and visitor information.

Tachi (inscribed with Kanenaga)
Tokyo 鎌倉
Tachi (inscribed with Kanenaga)

Held by the Seikado Foundation in Tokyo, this tachi signed 'Kanenaga' is the finest surviving work of the first-generation Kanenaga, founding master of the Tegai school of Yamato province in the late Kamakura period. Designated a National Treasure in 1952, the sword is prized for its unshortened signed tang and the brilliant crystalline particles of its temper line. It is displayed at the Seikado Bunko Art Museum in Marunouchi, Tokyo.

The Lotus Sutra (volume 8, Remaining Volumes) by Banri Koji
Tokyo 鎌倉
The Lotus Sutra (volume 8, Remaining Volumes) by Banri Koji

An Important Cultural Property at the Maeda Ikutokukai: a fragment of the Lotus Sutra's eighth fascicle, dated 1326, brushed by the noble Madenokoji Nobufusa.

Kita〓 Jujian Calligraphy〈Registration of Heavenly Temples/A
Tokyo 南宋
Kita〓 Jujian Calligraphy〈Registration of Heavenly Temples/A

A bokuseki scroll at the Tokyo National Museum: a verse brushed by the Southern Song Zen monk Beijian Jujian in a Suzhou pavilion in 1229, an early tea scroll.

Hosorurin (fragmentary volume 197; Kanazawa Bunko copy)
Tokyo 鎌倉
Hosorurin (fragmentary volume 197; Kanazawa Bunko copy)

Volume 197 of the Hossō Ruirin, a Heian legal encyclopedia once said to fill over 200 volumes. This Kanazawa Bunko copy, made in 1304, is an Important Cultural Property.

Commentary on the Book of Li, Volume 59
Tokyo 唐
Commentary on the Book of Li, Volume 59

Preserved at Waseda University Library in Tokyo's Shinjuku Ward, this National Treasure is the sole surviving volume of a lost 100-volume Chinese Confucian commentary. A Tang-dynasty handscroll that reached Japan in the Nara period, it bears the personal library seal of Empress Kōmyō. Discover its extraordinary journey, scholarly importance, and how to experience it today.

Mother-of-Pearl Shigure Saddle
Tokyo 鎌倉
Mother-of-Pearl Shigure Saddle

Housed at Eisei Bunko in Bunkyo-ku, Tokyo, the National Treasure Raden Shigure-gura is a Kamakura-period black-lacquered saddle whose pine and kudzu motifs, inlaid in iridescent shell, conceal five Japanese characters that spell out a famous love poem by the poet-monk Jien from the Shin Kokin Wakashū anthology.

The Sixth Patriarch Carrying a Pole (Ink on Paper; with the seal of Chokuo)
Tokyo 南宋
The Sixth Patriarch Carrying a Pole (Ink on Paper; with the seal of Chokuo)

The Gotoh Museum in Setagaya, Tokyo, preserves the National Treasure 'Six Patriarch Shouldering a Pole,' a thirteenth-century Southern Song ink painting bearing the seal of the painter Chokuō. Rendered in the delicate mōryōga style with washes of pale ink and selective accents of dark ink, the scroll depicts Huineng, the Sixth Patriarch of Chan Buddhism, at the life-changing moment he hears the Diamond Sutra. An inscription by Chan master Enkei Kōmon dates the work with unusual precision. Discover the history, artistic value, and visiting information for this masterpiece.

Fishing Village at Sunset (Ink on Paper; attributed to Muqi)
Tokyo 南宋
Fishing Village at Sunset (Ink on Paper; attributed to Muqi)

Held by the Nezu Museum in Tokyo's Minami-Aoyama district, Fishing Village at Sunset (attributed to Muqi) is a National Treasure and one of the supreme achievements of Southern Song ink painting. A scene from the famous Eight Views of the Xiao and Xiang Rivers, it bears the seal of Shogun Ashikaga Yoshimitsu and is exhibited only rarely, every few years.

Origins of Kitano Tenjin (Color on Paper; eight fragmentary scenes, the Koan manuscript)
Tokyo 鎌倉
Origins of Kitano Tenjin (Color on Paper; eight fragmentary scenes, the Koan manuscript)

Kamakura-period scenes from the Koan version of the Kitano Tenjin scrolls at the Tokyo National Museum, an Important Cultural Property since 1956.

Bannaji Temple Bell Tower
Tochigi 鎌倉後期
Bannaji Temple Bell Tower

Bannaji Shōrō in Ashikaga is a late Kamakura belfry with a flared boarded skirt and an open bell chamber. Listed in 1908, it holds an Edo-period Tenmyō bell.

Bannaji Temple Main Hall
Tochigi 鎌倉後期
Bannaji Temple Main Hall

Rebuilt in 1299 after a lightning fire, Bannaji Hondō in Ashikaga keeps an esoteric plan under Zen-style bracketing. It was named a National Treasure in 2013.

Wooden Seated Statue of Dainichi Nyorai in a Shrine
Tochigi 鎌倉
Wooden Seated Statue of Dainichi Nyorai in a Shrine

The Wooden Seated Statue of Dainichi Nyorai with Zushi Cabinet at Kōtokuji Temple in Ashikaga, Tochigi Prefecture, is a small but exquisite Kamakura-period image believed to have been carried in pilgrimage by Ashikaga Yoshikane, founder of the Ashikaga clan. Standing about 32 centimeters tall and now widely attributed to the celebrated sculptor Unkei or his Kei school workshop based on inclusions revealed by X-ray analysis, it was designated a National Important Cultural Property in 1988. The cylindrical lacquered cabinet that houses the figure preserves a complete miniature of the Diamond World mandala. The image is currently held in trust at Tokyo National Museum and appears periodically in special exhibitions.

Otani Rock-Carved Buddha
Tochigi 平安~鎌倉
Otani Rock-Carved Buddha

Hidden in a natural stone cavern in Utsunomiya City, Tochigi, the Ōya Magaibutsu is a remarkable group of ten Buddhist images carved directly into the cliff face of Ōya-ji Temple. Featuring a 4-meter Thousand-Armed Kannon and three Buddhist triads, it became the first cultural property in Japan to be designated both a Special Historic Site and an Important Cultural Property.

Uda Mikumari Shrine Main Hall
Nara 鎌倉後期
Uda Mikumari Shrine Main Hall

Three matching Kasuga-style halls at Uda Mikumari Shrine, Nara, the first dated 1320 by its ridge beam, with carved struts on every face and a reworked Second Hall.