Nara
奈良Browse Japan’s cultural heritage from the Nara period (710 – 794). Filter by prefecture, type, and keyword, with concise stories, maps, and travel tips.
A Tang manuscript of the Book of Han, chapter 57 on poet Yang Xiong, at Kyoto National Museum. Taboo strokes and 948 reading marks trace ten centuries of study.
This Tang-dynasty scroll at the Kyoto National Museum preserves 172 lines of the Shishuo Xinshu, the world's oldest surviving manuscript of the Chinese classic.
In 741 the monk Genbo commissioned 1,000 copies of this Kannon sutra. A lone scroll survives: a National Treasure of Nara calligraphy at the Kyoto National Museum.
A National Treasure album at the Kyoto National Museum, holding 240-plus calligraphy fragments from the 8th to 16th centuries, once used to authenticate old writing.
A Southern Song celadon vase of shimokabura form, a Japanese National Treasure with a smooth, crackle-free pale-blue glaze. Its kiln is still debated by scholars.
The National Treasure Nukatadera Garan narabini Jōrizu, held by the National Museum of Japanese History in Sakura, Chiba, is a rare large-scale map painted in the late Nara period (8th century) on four joined panels of hemp cloth. Depicting the jōri land-grid of Heguri District in Yamato Province and the detailed precinct of Nukatadera at its lower center, the map is an irreplaceable primary source on ancient Japanese land administration and Buddhist architecture.
A National Treasure near Tokyo: a Southern Song printing of the Hanshu in 61 fascicles, holding the earliest reliable Chinese record of Japan, the Wa people.
A complete Southern Song printing of the Book of the Later Han, kept in Sakura, whose account of the eastern peoples names Queen Himiko and an embassy of 57 CE.
A National Treasure near Tokyo: the Song-dynasty Shiji printed by Huang Shanfu, the oldest complete copy of the three-commentary edition, all 130 chapters intact.
On the back of the Akihagi-jo handscroll lies a Tang copy of the Huainanzi's military chapter, older than the poems on its front. Both sides are National Treasures.
Brushed in 1124, this is the oldest surviving Zen calligraphy. Cut in two long ago, its front half is National Treasure number one, the supreme tearoom scroll.
At the Tokyo National Museum, this Tang scroll is the oldest surviving copy of the early Tang writer Wang Bo, brushed around 685 to 689, a decade after his death.
Two white-bronze mirrors at the Tokyo National Museum, donated to Hōryūji by Empress Kōmyō in 736. Their backs cast a Daoist realm of sacred peaks and seas.
A Southern Song tea caddy at the Nezu Museum, an Important Cultural Property since 1959, handed down from Ashikaga Yoshimasa to the Matsuya family of Nara.
A small ink scroll the Chan master Xutang Zhiyu brushed near age eighty for a Japanese monk, slashed by a servant in 1637 and now a National Treasure in Tokyo.
Volume nine of the Yupian, a Chinese dictionary lost in China, survives in Japan as a Tang scroll. This Waseda National Treasure bears a Buddhist text dated 1021.
At the Tokyo National Museum, the gilt Dragon-Head Ewer fuses a Persian form, four engraved Pegasus, and an East Asian dragon. A National Treasure from Hōryū-ji.
A Tang-dynasty handscroll at the Tokyo National Museum, a National Treasure since 1954, copying in regular script a score for the zither piece Elegant Orchid.
Three National Treasure scrolls of the Sutra of the Wise and the Foolish, written in the Nara period in oversized characters on paper once thought to hold relics.
An eighth-century Kengukyo handscroll in oversized characters, long ascribed to Emperor Shomu. One of the few Daishomu scrolls left whole, rarely shown in Tokyo.