Heian

平安

Browse Japan’s cultural heritage from the Heian period (794 – 1185). Filter by prefecture, type, and keyword, with concise stories, maps, and travel tips.

3,530 total Heian Period 794 – 1185
Showing 361 – 380 of 3,530
The Remaining Volume of the Twelfth Volume of the Kokin
Tokyo 平安
The Remaining Volume of the Twelfth Volume of the Kokin

This National Treasure handscroll preserves love poems from the Kokin Wakashu in flowing kana on mica-printed Chinese paper, long credited to Ono no Tofu.

The Sixth and Remaining Volume of the New Book of World
Tokyo 唐
The Sixth and Remaining Volume of the New Book of World

This Tang-dynasty scroll at the Kyoto National Museum preserves 172 lines of the Shishuo Xinshu, the world's oldest surviving manuscript of the Chinese classic.

Tachi (named Yasuie)
Tokyo 平安
Tachi (named Yasuie)

A National Treasure at the Kyoto National Museum, this tachi is the only blade securely attributed to the late-Heian smith Yasuie, unshortened and finely preserved.

Nihon Shoki (Chronicles of Japan) Volumes 22 and 24
Tokyo 平安
Nihon Shoki (Chronicles of Japan) Volumes 22 and 24

Copied in mid-Heian times, the Iwasaki-bon preserves Volumes 22 and 24 of Japan's first chronicle, layered with ancient reading marks and 15th-century notes.

Draft Letter Written by Tadamichi Fujiwara
Tokyo 平安
Draft Letter Written by Tadamichi Fujiwara

Twenty-nine letter drafts by regent Fujiwara no Tadamichi fill a 9.8-meter scroll at the Kyoto National Museum, the clearest record of the Hosshoji school's origins.

The Remaining Volume of the Ninth Volume of the Manyoshu
Tokyo 平安
The Remaining Volume of the Ninth Volume of the Manyoshu

A National Treasure: book nine of the Man'yoshu on silver-flecked indigo paper, late Heian period, and the only Aigami-bon to survive as a complete scroll.

Celadon Turnip Vase
Gunma 南宋
Celadon Turnip Vase

A Southern Song celadon vase of shimokabura form, a Japanese National Treasure with a smooth, crackle-free pale-blue glaze. Its kiln is still debated by scholars.

Song Dynasty Version of Hanshu (published by Keiyuan)
Chiba 南宋
Song Dynasty Version of Hanshu (published by Keiyuan)

A National Treasure near Tokyo: a Southern Song printing of the Hanshu in 61 fascicles, holding the earliest reliable Chinese record of Japan, the Wa people.

Song Dynasty Version of Later Hanshu (published by Keiyuan)
Chiba 南宋
Song Dynasty Version of Later Hanshu (published by Keiyuan)

A complete Southern Song printing of the Book of the Later Han, kept in Sakura, whose account of the eastern peoples names Queen Himiko and an embassy of 57 CE.

Song Dynasty History (published by Hwang Shanfu)
Chiba 南宋
Song Dynasty History (published by Hwang Shanfu)

A National Treasure near Tokyo: the Song-dynasty Shiji printed by Huang Shanfu, the oldest complete copy of the three-commentary edition, all 130 chapters intact.

Autumn Grass Design Vase
Tokyo 平安
Autumn Grass Design Vase

At the Tokyo National Museum, the National Treasure Akikusa-mon Tsubo is a 12th-century Atsumi-ware jar incised with autumn grasses and dragonflies, found in 1942.

Autumn Hagicho
Tokyo 平安
Autumn Hagicho

A National Treasure at the Tokyo National Museum: an 8.4-meter scroll of dyed papers, its 48 waka written in cursive kana, the script that became hiragana.

Ishinpo (Hanai Family Version)
Tokyo 平安
Ishinpo (Hanai Family Version)

Held at the Tokyo National Museum in Ueno, Ishinpō (Nakarai Family Copy) is the oldest surviving medical encyclopedia in Japan, compiled by the court physician Tanba no Yasuyori in 984 during the Heian period. Its thirty handscrolls preserve passages from more than two hundred Chinese medical texts of the Sui and Tang dynasties, many of them otherwise lost, making this National Treasure an indispensable key to the history of East Asian medicine, language, and calligraphy.

Poetry Contest (10 Volumes)
Tokyo 平安
Poetry Contest (10 Volumes)

The Uta-awase (Jikkanbon), or 'Poetry Contests in Ten Scrolls,' is Japan's oldest compiled anthology of courtly poetry matches. Held at the Sonkeikaku Bunko in Komaba, Tokyo, this National Treasure was conceived by the regent Fujiwara no Yorimichi in the 11th century to gather 46 poetry contests spanning 170 years, from the Ninna era (885-889) to 1056. Surviving as an unfinished working draft with editorial annotations and over ten distinct calligraphic hands, the five scrolls preserved by the Maeda Ikutokukai Foundation, together with companion scrolls at Yomei Bunko and the Tokyo National Museum, form one of the most important documents in classical Japanese literature.

Junnan Kōretsu Hyakuryakushu (back of Paper)
Tokyo 唐
Junnan Kōretsu Hyakuryakushu (back of Paper)

On the back of the Akihagi-jo handscroll lies a Tang copy of the Huainanzi's military chapter, older than the poems on its front. Both sides are National Treasures.

Engishiki (Kujo Family Book)
Tokyo 平安
Engishiki (Kujo Family Book)

The Kujo family Engishiki at the Tokyo National Museum is the oldest surviving copy of Heian Japan's great legal code, valued for its red marks and verso documents.

Kan Gokujin's Calligraphy <Certificate of Seal>
Tokyo 北宋
Kan Gokujin's Calligraphy <Certificate of Seal>

Brushed in 1124, this is the oldest surviving Zen calligraphy. Cut in two long ago, its front half is National Treasure number one, the supreme tearoom scroll.

Enchin-Related Documents
Tokyo 唐~平安
Enchin-Related Documents

Held at the Tokyo National Museum, these eight National Treasure scrolls gather the ordination paper, court appointment, and Tang travel permits of the monk Enchin.

Wang Boshu (Collection of Wang Boshu), Volumes 29 and 30
Tokyo 唐
Wang Boshu (Collection of Wang Boshu), Volumes 29 and 30

At the Tokyo National Museum, this Tang scroll is the oldest surviving copy of the early Tang writer Wang Bo, brushed around 685 to 689, a decade after his death.

Mirror with Sea and Shore Design (presented by Empress Komyo on the twenty-second day of the second month of 736; from the Horyuji treasures)
Tokyo 唐時代
Mirror with Sea and Shore Design (presented by Empress Komyo on the twenty-second day of the second month of 736; from the Horyuji treasures)

Two white-bronze mirrors at the Tokyo National Museum, donated to Hōryūji by Empress Kōmyō in 736. Their backs cast a Daoist realm of sacred peaks and seas.