Kamakura

Discover the Important Cultural Property 'Imperial Handwriting of Emperor Go-Uda: Siddham Inshin Kuketsu (2 vols.) and Siddham Inshin Mon (5 vols.)' at Daikaku-ji Temple in Sagano, Kyoto. Personally brushed by Emperor Go-Uda after he took Buddhist vows and became the 23rd head abbot of Daikaku-ji, these seven manuscripts preserve the secret transmissions of Shingon esoteric Buddhism — including teachings written in the sacred Siddham (Sanskrit) script. Explore the calligraphic mastery of one of Japan's foremost imperial calligraphers, the rare interplay of Chinese characters and Indic letters, and practical visitor information for Daikaku-ji and the surrounding Sagano-Arashiyama district.

Discover the National Treasure 'Go-Uda Tennō Shinkan Otein Yuigō' at Daikaku-ji Temple in Kyoto — a handwritten testament by the 91st Emperor of Japan, bearing his vermillion hand print. Created in the 1320s, this remarkable scroll preserves the emperor's final wishes for the temple and Shingon Esoteric Buddhism, and stands as a masterpiece of imperial calligraphy.

Discover the National Treasure calligraphy by Emperor Go-Uda, a deeply personal biography of Kōbō Daishi written on silk in 1315, preserved at Daikaku-ji Temple in Kyoto's scenic Sagano district.

Discover the National Treasure shinkan (imperial handwritten document) by Emperor Go-Uda, written in 1308 to ensure the prosperity of Tō-ji Temple. Learn about this remarkable piece of Japanese calligraphy, the emperor's devotion to Shingon Buddhism, and how to visit Tō-ji in Kyoto.

Three autograph letters in which the cloistered Emperor Go-Uda begged the Daigo-ji master Kenjun to grant him the Sanboin esoteric lineage, now a National Treasure.

Daigo-ji's Godansho is a Kamakura copy of the recorded talk of the Heian scholar Oe no Masafusa, an early witness to a lost original. Designated in 1922.

This Echizen stoneware jar carries an incised date, the eighth month of 1306, a rare dated benchmark for medieval Japanese pottery, now at the Kyoto National Museum.

An Important Cultural Property at Ritsumeikan University: two bold characters reading Dankei, the Zen style name the monk Kokan Shiren conferred on his Dharma heir.

At Tofuku-ji in Kyoto, four scrolls hold Zen abbot Kokan Shiren's brush copy of Han Yu's Tang essay on learning, a Kamakura-period Important Cultural Property.

The Kokin Wakashū copied in 1305 by Reizei Tamesuke, grandson of Teika and founder of the Reizei poetic line. An Important Cultural Property at Kyoto's Yōmei Bunko.

At Kyoto University, this 1241 manuscript holds the oldest surviving commentary on the Kokin Wakashu, Japan's first imperial anthology, by poet Fujiwara no Norinaga.

At Manshuin in Kyoto survive 73 sets of documents from the Kokin denju, the secret transmission of reading the Kokin Wakashu, prized in Japan's literary history.

Fujiwara no Teika's own 1226 copy of the Kokinshu, the original Karoku manuscript, kept by the Reizei family in Kyoto and a National Treasure since 1983.

Go-Saga's 1246 letter to a Ninna-ji abbot, thanking him for Buddhist rites, is the only verified autograph of the emperor and a Kamakura-period National Treasure.

Teika copied the Gosen Wakashu into one volume in 1234, aged 73. This Tenpuku-bon original, full of his own notes, is a National Treasure of Kyoto's Reizei family.

A National Treasure at Kyoto's Daitoku-ji: an autograph decree Emperor Go-Daigo wrote in 1333, fixing that only the founder's lineage could ever lead the temple.

Kyoto's Reizei family keeps the only Korai Futeisho in Fujiwara no Shunzei's own hand: the 1197 first version of his poetic treatise, written at eighty-four.

Discover the Diamond Sutra (Kongō-kyō) by Zhang Jizhi, a National Treasure of Japan housed at Chishaku-in Temple in Kyoto. This 1253 masterpiece of Southern Song calligraphy represents one of the finest examples of Chinese brushwork preserved in Japan.

Owned by the Reizei-ke Shiguretei Bunko Foundation in Kyoto and designated an Important Cultural Property, this set of six bound volumes preserves the private waka anthologies of six celebrated Heian poets—Sosei, Kanesuke, Muneyuki, Henjō, Takamitsu, and Komachi—copied onto luxurious karakami (Chinese-style decorated paper) printed with mica-shimmering arabesque patterns. Marginalia by Fujiwara no Teika confirm its role as a working reference for one of Japan's greatest poet-editors, making it a treasure that unites courtly aesthetics with the foundational history of Japanese poetry.

Two silk scrolls in the hand of Jikusen Bonsen, a Chan monk who left Yuan China in 1329, written for a Zen abbot's installation. Held at closed Ryoko-in in Kyoto.